A work in constant progress (and occasional regress).
Release Date:
September 29, 2011
Original Title:
4 Tage im Mai
Alternate Titles:
Vier Tage im Mai
Genres:
Drama | War
Production Companies:
ARTE
Aurora Production
HR
NDR
X Filme Creative Pool
ZAO Studio FAF
Production Countries:
Germany | Russia | Ukraine
Ratings / Certifications:
CH: 12 DE: 12
Runtime: 94
Germany, Baltic Sea coast, May 1945, a few days before the end of World War II. A small Soviet patrol arrives at an isolated house where an elderly baroness gives shelter to a group of orphan girls and a boy who is determined to continue the fight.
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Art Direction:
Björn Nowak
Casting:
Jessika Eisenkolb
Tatyana Statsman
Suse Marquardt
Co-Producer:
Oleg Stepanenko
Achim von Borries
Evgeni Chanin
Color Grading:
Silvia Kubisch
Costume Designer:
Nicole Fischnaller
Director:
Achim von Borries
Director of Photography:
Bernd Fischer
Editor:
Antje Zynga
Executive Producer:
Uwe Schott
Christoph Hahnheiser
Yakov Drabkin
First Assistant Director:
Michael Brown
Foley Artist:
Martin Langenbach
Gaffer:
Marc Lubosch
Key Grip:
Hans Hellner
Line Producer:
Ulli Neumann
Makeup Designer:
Kerstin Gaecklein
Heiko Schmidt
Music Arranger:
Ingo Ludwig Frenzel
Original Music Composer:
Thomas Feiner
Post Production Supervisor:
Stephan von Larcher
Producer:
Elena Duffort
Stefan Arndt
Andrea Schütte
Aleksey Guskov
Production Design:
Agi Ariunsaichan Dawaachu
Production Manager:
Patrick Brandt
Screenplay:
Achim von Borries
Screenstory:
Eduard Reznik
Valentin Chernykh
Script Supervisor:
Uli Sack-Bernstiel
Second Assistant Director:
Max von Saurma
Set Decoration:
Sabine Dotzauer
Sound Designer:
Thomas Knop
Stephan Konken
Sound Editor:
Hartmut Teschemacher
Wiebke Reichert
Sound Mixer:
Thomas Knop
Stephan Konken
Sound Recordist:
Martin Müller
Special Effects Supervisor:
Norbert Skodock
Still Photographer:
Gordon A. Timpen
Third Assistant Director:
Samuel Koch
Visual Effects Director:
Dominik Trimborn
Visual Effects Supervisor:
Abraham Schneider
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.