Home

Austin Powers in Goldmember (2002) [PG-13]

Release Date:
July 26, 2002

Original Title:
Austin Powers in Goldmember

Alternate Titles:
Austin Powers 3: Austin Powers in Goldmember
Austin Powers III: In Goldmember
Austin Powers: Goldmember
Austin Powers: To Chrysó Ergaleío
Avanak ajan - Altın kuş
Ostin Pauers: Goldmyembyer
Ostin Pauŭrs v Zlatniya chlen
Ostin Pavers: Zolotyy orhan
오스틴 파워 3
오스틴 파워 골드멤버

Genres:
Comedy | Crime | Science Fiction

Production Companies:
Eric's Boy
Gratitude International
Moving Pictures
New Line Cinema
Team Todd

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 12  CH: 12  CZ: 12+  DE: 12  DK: 7  ES: 12  FI: K-16  FR: TP  GB: 12  GR: PG  HU: 16  IE: 15  IT: T  JP: G  KR: 15  MX: B  NL: 6  NO: 9|12  PL: 16  RU: 12+  SE: 7  US: PG-13 

Runtime: 94

The grooviest movie of the summer has a secret, baby!

Overview from TheMovieDB

The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

2D Artist:
Brandon Criswell

ADR Editor:
Julie Lindner

ADR Mixer:
Robert Deschaine

ADR Recordist:
Rick Canelli

ADR Supervisor:
Renée Tondelli

Aerial Coordinator:
Alan D. Purwin

Aerial Director of Photography:
David B. Nowell

Animal Wrangler:
Tammy Maples
Nick Plantico

Art Department Assistant:
Palma Bellardoni

Art Department Coordinator:
Carol Kiefer

Art Direction:
Drew Boughton

Assistant Camera:
John Mullin

Assistant Chief Lighting Technician:
Eric Sandlin

Assistant Editor:
Staci Pontius

Assistant Location Manager:
Isaac Ardolino

Assistant Production Coordinator:
Terrence Martin

Assistant Property Master:
Adam Austin

Assistant Sound Editor:
Bill Burns

Associate Producer:
Katherine E. Beyda
Marco Schnabel

Best Boy Electric:
Dickinson H. Luke

Best Boy Grip:
Tommy Garcia

Boom Operator:
Scott Jacobs

CG Animator:
Erik Lee

Camera Loader:
Robin Bursey
Jake Avignone

Camera Operator:
Scott Browner

Camera Production Assistant:
Rebecca Brenneman

Casting:
Jeanne McCarthy
Juel Bestrop

Casting Assistant:
Natasha Cuba

Casting Associate:
Blythe Cappello

Chief Lighting Technician:
Michael LaViolette

Choreographer:
Marguerite Pomerhn Derricks

Co-Producer:
Gregg Taylor

Color Timer:
Dan Muscarella

Construction Buyer:
Leslie A. Tokunaga

Construction Coordinator:
Douglas Womack

Construction Foreman:
Bryan Corbett

Continuity:
Yvonne Pearson

Costume Design:
Deena Appel

Costume Illustrator:
Michele Michel
Felipe Sanchez

Costume Supervisor:
Hope Slepak

Costumer:
Mila Hermanovski

Craft Service:
Raymond Bulinski

Dialogue Editor:
James Matheny

Digital Color Timer:
Mike Sowa

Director:
Jay Roach

Director of Photography:
Peter Deming

Dolly Grip:
Tim Collins

Driver:
Maxim Aperian

Editor:
Greg Hayden
Jon Poll

Electrician:
Shane Buttle

Executive In Charge Of Post Production:
Jody Levin

Executive In Charge Of Production:
Erik Holmberg

Executive Music Producer:
Danny Bramson

Executive Producer:
Richard Brener
Toby Emmerich

Executive in Charge of Finance:
Paul Prokop

Extras Casting:
Jennifer Alessi

First Assistant Accountant:
Kristi Mujica

First Assistant Camera:
David Eubank

First Assistant Director:
Josh King

First Assistant Editor:
Curtis Croeni

First Assistant Sound Editor:
Cherie Tamai

Foley Artist:
Goro Koyama

Foley Mixer:
Don White

Gaffer:
Rick A. West

Graphic Designer:
Susan A. Burig

Greensman:
Frank McEldowney

Grip:
Eric Budlong

Hair Department Head:
Candy L. Walken

Hairstylist:
Manuella Goncalves

Key Costumer:
Ann Foley

Key Grip:
Philip Sloan

Key Hair Stylist:
Jeri Baker

Key Makeup Artist:
Kate Biscoe

Key Rigging Grip:
Robert K. Feldmann

Key Set Production Assistant:
Kenny Vasquez

Leadman:
Jason Bedig

Location Manager:
Scott Allen Logan

Makeup Artist:
Robin Beauchesne
Ve Neill
Michèle Burke

Makeup Department Head:
Edouard F. Henriques

Makeup Designer:
Michèle Burke

Music Coordinator:
Patrick Houlihan

Music Editor:
Thomas Bartke

Music Supervisor:
John Houlihan

Musician:
Romeo Antonio

Negative Cutter:
Gary Burritt

Orchestrator:
Frank Macchia

Original Music Composer:
George S. Clinton

Painter:
Thomas W. Corsello

Payroll Accountant:
Jennifer Hunt Pedevilla

Picture Car Coordinator:
Joshua Hancock

Pilot:
Steve Huff

Post Production Assistant:
Judith Babcock

Post Production Coordinator:
Stephanie Olah

Post Production Supervisor:
Diana Kaufman

Producer:
Suzanne Todd
Demi Moore
Mike Myers
Jennifer Todd
John S. Lyons
Eric McLeod

Production Accountant:
Diana Adams

Production Assistant:
Morgan Bateman

Production Controller:
Jonathan Davidson

Production Coordinator:
S.J. 'JoJo' Fieger

Production Design:
Rusty Smith

Production Office Assistant:
Emily Ellis

Production Secretary:
Jason Columbus

Production Sound Mixer:
Ken McLaughlin

Production Supervisor:
Katherine E. Beyda

Projection:
Lou Sumien Jr.

Propmaker:
Satcha Congdon

Prosthetic Supervisor:
Camille Calvet

Prosthetics:
Gary Archer

Rigging Gaffer:
Jeffrey P. Soderberg

Rigging Grip:
Rex Anson Rhorer

Rotoscoping Artist:
Dawn Brooks Macleod

Screenplay:
Mike Myers
Michael McCullers

Script Supervisor:
Jayne-Ann Tenggren

Sculptor:
Michelle Millay

Second Assistant Accountant:
Jerry Lee

Second Assistant Camera:
Adam Baral

Second Assistant Director:
Marcei A. Brown

Second Second Assistant Director:
Marisa Ferrey

Second Unit:
Marco Schnabel

Second Unit Director:
Jack Gill

Security:
Kelly Flynn

Set Costumer:
Edward T. Hanley

Set Decoration:
Sara Andrews

Set Designer:
Kevin Cross

Set Dresser:
Bart Barbuscia

Set Dressing Buyer:
Jill Carvalho

Set Medic:
Apryl Hill

Set Production Assistant:
Joel Elliott

Sound Effects Editor:
Cindy Marty

Sound Mixer:
Steven A. Morrow

Sound Re-Recording Mixer:
Chris Carpenter

Sound Recordist:
Bill Meadows

Special Effects Coordinator:
Michael Meinardus

Special Effects Technician:
Chris Brenczewski

Stand In:
Kali Chung

Standby Painter:
Carmine Goglia

Steadicam Operator:
Kirk R. Gardner

Still Photographer:
Melinda Sue Gordon

Storyboard Artist:
Gabriel Hardman

Stunt Double:
Keith Campbell
Charlie Brewer

Stunts:
Kenny Endoso
Cinda-Lin James
Henry Kingi Jr.
Alex Madison
Shauna Duggins
Henry Kingi
Andy Gill

Stunts Coordinator:
Jack Gill

Supervising Art Director:
Mark Worthington

Supervising Music Editor:
Bruno Coon

Supervising Sound Editor:
George H. Anderson

Technical Supervisor:
Lee Tucker

Title Designer:
Simon Cassels

Transportation Captain:
Jim Frear

Transportation Coordinator:
Bill M. Puluti

Unit Production Manager:
Eric McLeod

Unit Publicist:
Gabriela Gutentag

Utility Sound:
Kate Lumpkin

Utility Stunts:
Nick Brett

Video Assist Operator:
Alfred Ainsworth

Visual Effects Editor:
Craig Alpert

Visual Effects Producer:
Lindsay Hallett

Visual Effects Supervisor:
David D. Johnson

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.