A work in constant progress (and occasional regress).
Release Date:
February 28, 2017
Original Title:
A Rough History (of the destruction of fingerprints)
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 10
We were huddled in front of the thin light of a fire in an abandoned house on a cold January night in Calais. X was making another cup of very sugary tea. Y, stirring the kindling, yelled as he accidentally grabbed a burning twig. “are you trying to clean your fingerprints?” laughed X. ‘A Rough History’ is a performance lecture, installation and 16mm film following several visits to Calais, that considers a practice by migrants entering the EU of destroying their fingerprints to avoid detection by the Eurodac system, alongside other histories of fingerprinting and fingerprint erasures. It sees the fingerprint as a scaled down landscape, looking at the circulation of the image of the fingerprint, and the different lives and journeys of the migrants whose hands produce such images.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.