A work in constant progress (and occasional regress).
Release Date:
August 26, 2020
Original Title:
Color Me
Production Companies:
Bacon
Bacon X
Ratings / Certifications:
N/A
Runtime: 6
At times you find yourself on a dark road in a deep black valley. It is hard to orient yourself. You vaguely recall who you are, but it is hard to completely grasp, you have to lay down to dissolve into the ground. We all contain darkness. A door to a strange place, where the world falls apart and becomes unrecognizable. A floaty reality, almost dreamlike. How do we respond when we have to face our own fears and mortality, and is it possible to find tranquility within the world of our nightmares?
3D Artist:
David Ryberg Lessel
Kim Fersling
Best Boy Grip:
Phillip Jørgensen
Colorist:
Hannibal Lang
Compositing Artist:
Mikael Balle
Oliver Buus
Mario Maruska
Kai Hauswirth
Compositing Lead:
Mikkel Hansen
Conceptual Design:
William Reynish
Coordinating Producer:
Nicholas Perry
Costume Design:
Melanie Buchhave
Lula Lucky
Director:
Martin de Thurah
Director of Photography:
Rasmus Videbæk
Editor:
Peter Brandt
Electrician:
Christian Lightbody
Paula Zuehlsdorf
Executive Producer:
Samuel Cantor
Executive Visual Effects Producer:
Eliana Carranza-Pitcher
Focus Puller:
Franz Borde
Gaffer:
Morten Kildegaard
Graphic Designer:
Benjamin Robin Graahede
Makeup & Hair Assistant:
Natascha Lysgaard
Makeup Artist:
Yunah Radecker
Music:
Patrick Grossi
Producer:
Maximilian Mayrshofer
Production Assistant:
Caroline Worning
Production Design:
Choki Lindberg
Props:
Denise Conradi
Sound Designer:
Philip Nicolai Flindt
Adrian Aurelius
Sound Effects:
Thomas Foldberg
Denise Conradi
Martin de Thurah
Sound Post Production Coordinator:
Gregers Maersk Moller
Sound Recordist:
Tajs Jespersen
VFX Artist:
William Reynish
VFX Supervisor:
Mikkel Hansen
Video Assist Operator:
Benjamin Ingvorsen
Visual Effects:
Jonas Drehn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.