An Encounter (2022) [N/A]

Release Date:
May 20, 2022

Original Title:
An Encounter

Genres:
Drama

Production Companies:
Cowtown Pictures

Production Countries:
Ireland

Ratings / Certifications:
FR: TP 

Runtime: 20

Two reluctant companions, schoolmates on the mitch, roam through Dublin along the Royal Canal. An encounter with a stranger leaves one boy changed utterly. Loosely based on the James Joyce Dubliners short story.

Additional information:

The Search Form


Art Direction:
Eugenia Genunchi

Boom Operator:
Dave Harris

Camera Trainee:
Aimee Stones

Casting Director:
Amy Rowan

Colorist:
Gary Curran

Costume Assistant:
Sara Ben-Abdallah

Costume Designer:
SaileĆ³g O'Halloran

Director:
Kelly Campbell

Director of Photography:
Daniel Katz

Editor:
Nathan Nugent

Executive Producer:
Emma Scott

First Assistant Camera:
Andy Gardner

First Assistant Director:
Stephen Fuller

Head of Production:
Roger Harlow

Loader:
Jaro Waldeck

Location Manager:
Colin Farrell

Makeup Designer:
Lorraine McCrann

Mixing Engineer:
Brendan Rehill

Music:
David Geraghty

Online Editor:
Arnaud Rigaud

Producer:
Claire McCabe

Production Coordinator:
Caoilinn Handley

Production Design:
Ellen Kirk

Production Manager:
Maggie Ryan

Screenplay:
Mark O'Halloran

Script Supervisor:
Jeanette McGrath

Second Assistant Camera:
Evan Fanning

Short Story:
James Joyce

Sound Designer:
Brendan Rehill
Andrew Kirwan

Steadicam Operator:
Oscar Gardner
Mick O'Rourke
Anthony Bowler

Still Photographer:
Enda Bowe

Stunt Coordinator:
Ciaran O'Grady

Third Assistant Director:
Amy Burke

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.