A work in constant progress (and occasional regress).
Release Date:
September 28, 1948
Original Title:
Noose
Alternate Titles:
A Forca
Die seidene Schlinge
Nodo scorsoio
Snaran
The Silk Noose
Genres:
Crime | Drama
Production Companies:
Associated British Picture Corporation
Edward Dryhurst Productions
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 95
Set in post Second World War Britain, Noose is the story of black market racketeers who face attempts to bring them to justice by an American fashion journalist, her ex-army fiancée and a gang of honest toughs from a local gym. When a corpse turns up at black market front The Blue Moon Club, Yank reporter Carole Landis starts snooping, much to gang boss Joseph Calleia’s annoyance. And soon there’s a hit man on the way...
Art Direction:
Bernard Robinson
Assistant Art Director:
T.R. Seddon
Assistant Director:
Terry Hunter
Associate Producer:
Eric L'Epine Smith
Boom Operator:
Bill Baldwin
Moray MacFarlane
Camera Operator:
Robert Day
Conductor:
Charles Williams
Continuity:
Peggy Singer
Director:
Edmond T. Gréville
Director of Photography:
Hone Glendinning
Otto Heller
Draughtsman:
George Lack
Dresser:
Anna Duse
Editor:
David Newhouse
Hair Designer:
Francis Singleman
Makeup Artist:
Gerry Fletcher
Music Director:
Charles Williams
Orchestrator:
Charles Williams
Cecil Milner
Producer:
Edward Dryhurst
Producer's Assistant:
Roger Good
Production Manager:
Harold Richmond
Second Assistant Director:
Cliff Owen
Sound Assistant:
Derek Kavanagh
Sound Supervisor:
A.E. Rudolph
Supervising Editor:
Douglas Robertson
Third Assistant Director:
John Pellatt
Wardrobe Designer:
Peggy Henderson
John Wilson-Apperson
Writer:
Richard Llewellyn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.