A work in constant progress (and occasional regress).
Release Date:
January 1, 2012
Original Title:
Waterloo
Ratings / Certifications:
N/A
Runtime: 4
Shot in London in the underpass the connects the IMAX theater to Waterloo station, "Waterloo" is part of a series of recent works that explore the limits of digital capture by setting up a series of formal parameters and then letting them play themselves out (almost) automatically in relation to randomizing elements. The capture rate is set at one frame per second, though sound is recorded in real time. Focus, exposure, and effective shutter speed are allowed to float and respond eccentrically to changing light levels, focal distances, and color temperatures in ways that produce a free play between figuration and abstraction. However, despite the abstract, painterly, and conceptual character of these images, the work is meant to be understood as a document responding to specific landscapes, situations, movements, trajectories, and durations.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.