A work in constant progress (and occasional regress).
Release Date:
October 15, 1975
Original Title:
Le Téléphone rose
Alternate Titles:
Das Kätzchen
De roze telefoon
El teléfono rosa
La ragazza di madame Claude
Różowy telefon
Růžový telefón
Tilaustyttö
Рожевий телефон
Розовый телефон
Genres:
Comedy | Drama | Romance
Production Companies:
Gaumont International
Productions 2000
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 95
A small industrialist from Toulouse, goes to Paris to negotiate the buyout of his company from an American financial group. During his stay, the representative of the large firm calls on a luxury call girl to facilitate their "business".
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Administration:
Georges Gillet
Assistant Unit Manager:
Philippe Desmoulins
Camera Operator:
Bernard Noisette
Costume Design:
Guy Laroche
Delegated Producer:
Alain Poiré
Dialogue:
Francis Veber
Director:
Édouard Molinaro
Director of Photography:
Gérard Hameline
Dresser:
Martine Dujon
Jeanine Herrly
Editor:
Robert Isnardon
Monique Isnardon
First Assistant Camera:
Anne-Claire Krhipounoff
First Assistant Director:
Philippe Monnier
Hairstylist:
Claudine Cronier-Monin
Makeup Artist:
Michel Deruelle
Original Music Composer:
Vladimir Cosma
Production Accountant:
André Mennecier
Production Design:
François de Lamothe
Production Manager:
Michel Choquet
Robert Sussfeld
Production Secretary:
Odette Darrigol
Props:
Jean Catala
Publicist:
Paulette Andrieux
Screenplay:
Francis Veber
Script Supervisor:
Hélène Sébillotte
Second Assistant Camera:
Alain Casanova
Second Assistant Director:
Jean Herbland
Morin Diole
Set Decoration:
Henri Vergnes
Sound Assistant:
Bernard Rochut
Sound Director:
Bernard Bats
Still Photographer:
Étienne George
Unit Manager:
Philippe Modave
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.