Home

Mrs. Doubtfire (1993) [PG-13]

Release Date:
November 24, 1993

Original Title:
Mrs. Doubtfire

Alternate Titles:
La señora Doubtfire
Mme Doubtfire
Mrs. Doubtfire - Das stachelige Hausmädchen
Mrs. Doubtfire - Otec v sukni
Papá por siempre
Sra. Doubtfire, papá de por vida
Táta v sukni
Місіс Даутфаєр
肥妈先生
道菲尔太太

Genres:
Comedy | Drama | Family

Production Companies:
20th Century Fox
Blue Wolf Productions

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CH: 12  CZ: U  DE: 6  DK: 7  ES: 7  FI: K-7  FR: TP  GB: 12  HU: 16  IE: PG  KR: 12  NL: AL  NO: 12  PL: 16  PT: M/12  RO: 12  SE: Btl|7  SK: 12  US: PG-13 

Runtime: 125

She makes dinner. She does windows. She reads bedtime stories. She's a blessing... in disguise.

Overview from TheMovieDB

Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids. When Daniel learns his ex needs a housekeeper, he gets the job -- disguised as a British nanny. Soon he becomes not only his children's best pal but the kind of parent he should have been from the start.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)
2000
#67 		100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time
2000
#69 		100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Douglas Ryan

"B" Camera Operator:
Kim Marks

24 Frame Playback:
Marty Brenneis

ADR Editor:
C.J. Appel

Additional Second Assistant Director:
Carol Bawer

Animation:
Bill Littlejohn
Barrie Nelson
Tom Ray
Tom Roth
Duane Gretsky
Ralph Newmann
Claude Raynes

Art Department Coordinator:
Kristen Ross

Art Direction:
W. Steven Graham

Assistant Accountant:
Mayda Renizzi-Holt

Assistant Art Director:
James J. Murakami

Assistant Editor:
Tara McKinley
Kevin D. Ross

Assistant Location Manager:
Debra A. Girard

Assistant Production Coordinator:
Mary Duann

Assistant Sound Designer:
Lora Hirschberg

Assistant Sound Editor:
Clare C. Freeman
Scott Guitteau
Dianna Stirpe
Kevin Rose-Williams
Patti Tauscher

Associate Producer:
Paula DuPré Pesmen

Best Boy Electric:
Brett Laumann

Best Boy Grip:
Dave Childers

Boom Operator:
Fred Runner

Cableman:
Conrad Slater

Casting:
Janet Hirshenson
Jane Jenkins

Casting Assistant:
Schuyler Kent

Casting Associate:
Michael Hirshenson

Catering:
John Halko
Dirk Q. Long
Bill Powers
Curtis Hamlin
Steve Watson

Color Timer:
Dennis McNeill

Construction Coordinator:
Richard W. Clot

Costume Design:
Marit Allen

Costume Supervisor:
Deirdre N. Williams
Christine Peters
James P. Cullen

Craft Service:
James J. Wilhelm

Dialogue Editor:
Ewa Sztompke
Sara Bolder
Claire Sanfilippo

Director:
Chris Columbus

Director of Photography:
Donald McAlpine

Dolly Grip:
Chuck Brown
Robert 'Boomer' McCann

Editor:
Raja Gosnell

Editorial Production Assistant:
Alexandra Fitzpatrick

Electrician:
Frank Helbig
Tom Cloutier
Kevin A. Thompson
William Hampton

Executive Producer:
Matthew Rushton

First Assistant "A" Camera:
Vance Piper

First Assistant "B" Camera:
Patrick McArdle

First Assistant Director:
Geoffrey Hansen

First Assistant Editor:
Tim Silano

Foley Artist:
Dennie Thorpe
Tom Barwick

Foley Editor:
Sandina Bailo-Lape
Marian Wilde

Foley Recordist:
Christopher Boyes

Gaffer:
Steven R. Mathis

Greensman:
George Zimninsky

Grip:
Philip Ho
Michael Whitehurst

Hairstylist:
Virginia G. Hadfield

Key Grip:
Robin Alan Knight

Key Hair Stylist:
Yolanda Toussieng

Key Makeup Artist:
Ve Neill

Leadman:
Mark Woods

Loader:
Kate O'Neill

Location Assistant:
Randol Perelman-Taylor
Cynthia LaPointe
Susannah Greason
Oscar Briones

Location Manager:
Bruce Devan

Makeup Artist:
Pamela S. Westmore

Music Editor:
Robin Katz

Negative Cutter:
Gary Burritt

Novel:
Anne Fine

Orchestrator:
Howard Shore

Original Music Composer:
Howard Shore

Payroll Accountant:
Jay Roberts

Producer:
Robin Williams
Marsha Garces Williams
Mark Radcliffe
Joan Bradshaw

Producer's Assistant:
Cyndi McHale Margolis
Rebecca Erwin Spencer

Production Accountant:
Ken Ryan

Production Coordinator:
Jacqueline A. Shea

Production Design:
Angelo P. Graham

Projection:
Ron Fode

Property Master:
John Zemansky

Prosthetics:
Gary Archer

Rigging Gaffer:
Robert E. 'Bobby' Powell

Rigging Grip:
Rod M. Janusch
John Schoening

Scoring Mixer:
Dan Wallin

Screenplay:
Randi Mayem Singer
Leslie Dixon

Script Supervisor:
Carol DePasquale

Seamstress:
Nancy Servin

Second Assistant "A" Camera:
John A. Small

Second Assistant "B" Camera:
Paul Sanchez

Second Assistant Director:
Cherylanne Martin

Second Second Assistant Director:
Stephen Lee Davis

Set Decoration:
Garrett Lewis

Set Designer:
Steve Saklad
Steven Wolff
Robert C. Goldstein
Harold Fuhrman

Set Production Assistant:
Darin Rivetti
Cindy M. Ichikawa

Sound Designer:
Gary Rydstrom

Sound Effects Editor:
Robert Shoup

Sound Mixer:
Nelson Stoll

Sound Re-Recording Mixer:
Gary Rydstrom
Tom Johnson
Gary Summers

Special Effects:
John McLeod
Frank W. Tarantino
Leo Loverro
Geoff Heron

Special Effects Makeup Artist:
Greg Cannom

Standby Painter:
Lisa M. Devlin

Still Photographer:
Phil Bray

Studio Teacher:
Bonnie Hudson
Myra Rosenthal

Stunt Coordinator:
Troy Brown

Stunt Double:
Pat Banta

Stunts:
Pat Banta
Leon Delaney
David Draves

Supervising Music Editor:
Ellen Segal

Supervising Sound Editor:
Gloria S. Borders

Swing:
Don Watson
Emilio R. Aramendia
Eugene M. Texeira

Transportation Captain:
James C. Taylor

Transportation Co-Captain:
Maylon Houston

Transportation Coordinator:
Robert Neilson

Unit Production Manager:
Joan Bradshaw

Unit Publicist:
Ellen Pasternack

Video Assist Operator:
Jonathan Doff

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.