A work in constant progress (and occasional regress).
Release Date:
August 14, 1964
Original Title:
Les Plus Belles Escroqueries du monde
Alternate Titles:
De wereld wil bedrogen worden
Sekai sagi monogatari
The Beautiful Swindlers
Världens fiffigaste svindlerier
World's Greatest Swindles
Найпрекрасніші шахрайства в світі
Самые прекрасные мошенничества в мире
Genres:
Comedy | Crime
Production Companies:
Cesar Film Productie
Lux Compagnie Cinématographique de France
Primex Films
TOHO
Ulysse Productions
Vides Cinematografica
Production Countries:
France | Italy | Japan | Netherlands
Ratings / Certifications:
N/A
Runtime: 108
Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.
Director:
Ugo Gregoretti
Roman Polanski
Claude Chabrol
Hiromichi Horikawa
Jean-Luc Godard
Director of Photography:
Raoul Coutard
Asakazu Nakai
Jean Rabier
Jerzy Lipman
Tonino Delli Colli
Editor:
Maurizio Lucidi
Agnès Guillemot
Rita van Royen
Hervé de Luze
Jacques Gaillard
Main Title Theme Composer:
Serge Gainsbourg
Original Music Composer:
Serge Gainsbourg
Michel Legrand
Pierre Jansen
Piero Umiliani
Keitaro Miho
Krzysztof Komeda
Presenter:
Pierre Roustang
Producer:
Pierre Roustang
Production Manager:
Philippe Senné
Philippe Dussart
Theme Song Performance:
Serge Gainsbourg
Writer:
Jean-Luc Godard
Ryūzō Kikushima
Claude Chabrol
Paul Gégauff
Ugo Gregoretti
Roman Polanski
Gérard Brach
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.