A work in constant progress (and occasional regress).
Release Date:
January 1, 2003
Original Title:
Axiom of Choice
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 5
Evoking the physiognomy of a Rembrandt portrait, Axiom of Choice depicts Jonas Mekas and his son Sebastian, their heads rotating in radiant chiaroscuro against a black ground. With Mekas at its center, the references to cinematic machinery abound in this work: from the proto-filmic zoetrope (which used a spinning cylinder to create the illusion of a moving image), to the flickering zoom of Ernie Gehr’s film Serene Velocity, to the enormous gyrating machine at the center of Michael Snow’s La Région Centrale. —Richard Birkett, Karin Schneider & Nicolás Guagnini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.