A work in constant progress (and occasional regress).
Release Date:
May 15, 1996
Original Title:
Kolja
Alternate Titles:
Kola
Kolya
Kolya, el nombre de la esperanza
Kolya, uma Lição de Amor
Kolya: Uma Lição de Amor
O mikros kolya
Коля
柯里亚
游子
Genres:
Comedy | Drama | Music
Production Companies:
Biograf Jan Svěrák
CNC
CinemArt
Fonds Eurimages du Conseil de l'Europe
Pandora Cinema
Portobello Pictures
Space Films
Státní fond ČR pro podporu a rozvoj české kinematografie
Česká televize
Production Countries:
Czech Republic | France | United Kingdom
Ratings / Certifications:
BR: 14 CZ: U HU: 12 IE: 12 NL: 6 PL: 12
Runtime: 105
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
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Art Direction:
Miloš Kohout
Assistant Art Director:
Jan Vlasák
Assistant Editor:
Ivan Frössl
Camera Operator:
Jan Carda
Casting:
Soňa Ticháčková
Construction Coordinator:
Vaclav Klabik
Petr Stambach
Costume Design:
Katarína Hollá
Director:
Jan Svěrák
Director of Photography:
Vladimír Smutný
Editor:
Alois Fišárek
First Assistant Director:
David Rauch
Makeup Artist:
Božena Došlá
Makeup Designer:
František Příhoda
Original Music Composer:
Ondřej Soukup
Producer:
Eric Abraham
Jan Svěrák
Property Master:
Karel Vaňásek
Screenplay:
Zdeněk Svěrák
Songs:
Vyacheslav Dobrynin
Sound Designer:
Zbyněk Mikulík
Sound Mixer:
Ivo Špalj
Special Effects:
Pavel Kryml
Boris Masník
Miroslav Šnábl
Jiří Šimůnek
Still Photographer:
Zdeněk Vávra
Story:
Pavel Taussig
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.