A work in constant progress (and occasional regress).
Featuring:
Cody Clarke, Anne Ruttencutter, Andre Alvarez
Written by:
Matt Hourigan
Directed by:
Matt Hourigan
Release Date:
December 28, 2020
Original Title:
The Mailman
Genres:
Action | Adventure | Science Fiction
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 8
An undercover agent named Mars is sent to recover a high-value "package" stolen by rebels. Set in a dystopian world where revolutionaries must steal to survive, the government, known as the Citadel, deploys special agents called Mailmen to maintain order. As his mission plays out, Mars must decide whether to follow his orders or conscience. When he does, things change.
An undercover government agent is sent to recover a high-value "package" stolen by rebels. As his mission plays out, he must decide whether to follow his orders or conscience. When he does, things change.
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Assistant Director:
Noah Rees
Camera Department Production Assistant:
Dylan Craven
Camera Production Assistant:
Tom Giazzon
Director:
Matt Hourigan
Director of Photography:
Miles Somerville
Editor:
Matt Hourigan
Gaffer:
Connor Markuson
Grip:
Jonah Fiden
Thomas McNamara
Michael Vena
Key Grip:
Jesse Bokisa
Makeup Effects:
Anne Ruttencutter
Original Music Composer:
Jack Gray
Producer:
Matt Hourigan
Adam Landau
Production Designer:
Jasmine De Guzman
Prop Designer:
Greta Gorsuch
Screenplay:
Matt Hourigan
Script Supervisor:
Jessica Santos
Sound Mixer:
Jakob Farness
Sound Recordist:
Katherine Hamilton
Visual Effects:
Rhett Thompson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.