A work in constant progress (and occasional regress).
Release Date:
February 15, 2011
Original Title:
Skateistan: Four Wheels and a Board in Kabul
Genres:
Documentary
Production Countries:
Germany | United States of America
Ratings / Certifications:
N/A
Runtime: 100
Not long ago Oliver Percovich and Sharna Nolan arrive in Kabul with little more than a couple of skateboards. in a country where children constitute more than half the population, they soon discover, that their boards draw local children like a magnetic force. After beginning regular skateboarding sessions in an abandoned fountain, one of the few smooth surfaces in Kabul, local boys and girls from the streets start to join them on a daily basis. These initial encounters, informal at first, eventually lead to the foundation of Skateistan, Afghanistan’s first co-educational skateboarding school. The film tells Skateistan’s story and how how a group of amateur- and pro skaters bridge ethnic-, religious and socio-economic barriers to bring hope to the children of a war-torn country – with the help of four wheels and a board.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.