Home

Through the Eyes of an Astronaut (2018) [N/A]

Release Date:
February 8, 2018

Original Title:
Dans les yeux de Thomas Pesquet

Genres:
Documentary

Production Companies:
La Vingt-Cinquième Heure

Production Countries:
France

Ratings / Certifications:
 N/A

Runtime: 28

Overview from TheMovieDB

Directed by Franco-German duo Pierre-Emmanuel Le Goff and Jürgen Hansen, Through the Eyes of an Astronaut is a 28-minute documentary based on images shot on board (and outside) of the International Space Station (ISS) by Thomas Pesquet, the European Space Agency’s (ESA) youngest astronaut, and the 10th French astronaut to travel into space. Enjoy the highlights of his six-month space odyssey, the Proxima Mission, 400 km above the Earth. Pesquet docked with the ISS in November 2016 for a 196-day, 17-hour, and 49-minute mission. The filmmakers and Pesquet had agreed to a shooting plan before the mission, but the result exceeded their expectations! Pesquet kept a daily visual diary -he brought back more than 600 hours of footage, including 40 in IMAX format, sharing his thoughts and feelings on the beauty and fragile nature of our planet, and man’s place in the universe.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Director:
Pierre-Emmanuel Le Goff
Jürgen Hansen

Director of Photography:
Matthias Bolliger
Jürgen Hansen

Editor:
Frédéric Frankel
Julien Munschy

Producer:
Natacha Delmone Casanova
Pierre-Emmanuel Le Goff
Guilhem Olive
Jürgen Hansen

Screenplay:
Jürgen Hansen
Pierre-Emmanuel Le Goff

Sound:
Armand Lesecq
Géraud Bec

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.