A work in constant progress (and occasional regress).
Release Date:
January 7, 2022
Original Title:
Carro Rei
Genres:
Comedy | Drama | Science Fiction
Production Companies:
Aroma Filmes
Banco Regional de Desenvolvimento do Extremo Sul
Production Countries:
Brazil | United States of America
Ratings / Certifications:
BR: 14
Runtime: 99
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
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Additional First Assistant Camera:
Leandro Gomes
Art Direction:
Karen Araújo
Assistant Director:
Sérgio Oliveira
Tiago Melo
Assistant Production Manager:
Maria Alencar
Boom Operator:
Daniel Moraes
Casting:
Marcelo Caetano
Colorist:
Bernardo Neder
Costumer:
Joana Gatis
Director:
Renata Pinheiro
Director of Photography:
Fernando Lockett
Driver:
Sebastião Severino de Oliveira Véio Toyota
Cid Clei Barbosa
Maurício Medeiros
Editor:
Quentin Delaroche
Electrician:
Victor Espinola
Lupinha
Executive Producer:
Carol Ferreira
Sérgio Oliveira
First Assistant Director:
Pethrus Tiburcio
First Assistant Editor:
Bia Baggio
Foley Artist:
Marília Mencucini
Foley Mixer:
Henrique Chiurciu
Location Manager:
Amanda Guimarães
Machinist:
Lupinha
Original Music Composer:
DJ Dolores
Post Production Coordinator:
Bia Baggio
Producer:
Sérgio Oliveira
Production Design:
Karen Araújo
Production Director:
Dedete Parente Costa
Vanessa Barbosa
Production Manager:
Vanessa Barbosa
Dedete Parente Costa
Scenic Artist:
Karen Araújo
Screenplay:
Renata Pinheiro
Sérgio Oliveira
Leo Pyrata
Set Decoration:
Castor de Assunção
Sound:
Guga S. Rocha
Sound Designer:
Guile Martins
Sound Editor:
Daniel Turini
Guile Martins
Sound Mixer:
Guile Martins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.