A work in constant progress (and occasional regress).
Release Date:
March 24, 2022
Original Title:
I cassamortari
Genres:
Comedy
Production Companies:
Neo Art Producciones
PACO Cinematografica
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 102
In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.
Assistant Camera:
Ernesto Busillo
Matteo Pedicini
Assistant Editor:
Simone Bonanni
Assistant Production Design:
Antonio Tarolla
Boom Operator:
Sandro Ivessich Host
Camera Operator:
Luigi Andrei
Casting:
Teresa Razzauti
Co-Producer:
Antonia Nava
Co-Writer:
Luigi Di Capua
Alessandro Regaldo
Costume Design:
Katia Dottori
Delegated Producer:
Marco Patrizi
Francesca Daccico
Sandra Forn
Director:
Claudio Amendola
Director of Photography:
Maurizio Calvesi
Editor:
Mirko Platania
Executive Producer:
Massimo Monachini
Ivan Llamas
First Assistant Director:
Alessandro Panza
Foley Artist:
Massimo Marinelli
Gaffer:
Emilio Scattaretico
Hair Department Head:
Armido Pezzato
Key Grip:
Cristiano Biagioli
Line Producer:
Francesco Ruggeri
Location Manager:
Eva Renzelli
Giulia Forti
Makeup Department Head:
Maria Solberg Lepre
Original Music Composer:
Valerio Carboni
Piero Pelù
Post Production Coordinator:
Monica Verzolini
Producer:
Isabella Cocuzza
Arturo Paglia
Production Coordinator:
Barbara Rita Bernabei
Production Design:
Ivana Gargiulo
Production Manager:
Priscilla Pacetti
Screenplay:
Kissy Dugan
Claudio Amendola
Roberto Iannone
Script Supervisor:
Chiara Milani
Second Assistant Director:
Francesca Baglivo
Set Decoration:
Massimiliano Forlenza
Sound:
Stefano Campus
Sound Editor:
Francesco Vallocchia
Sound Effects Editor:
Paolo Pucci
Sound Mixer:
Marco Coppolecchia
Steadicam Operator:
Luigi Andrei
Story:
Francesca Neri
Supervising Editor:
Cecilia Zanuso
Unit Manager:
Giulia Preziosi
VFX Supervisor:
Amedeo Califano
Visual Effects Coordinator:
Eleonora Savignano
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.