A Concerto Is a Conversation (2020) [N/A]

Release Date:
November 24, 2020

Original Title:
A Concerto Is a Conversation

Genres:
Documentary | Music

Production Companies:
Breakwater Studios
Chicago Media Project
The New York Times

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 13

A virtuoso jazz pianist and film composer tracks his family's lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Archival Footage Coordinator:
Sarah Stewart

Assistant Camera:
Arturo Ochoa
Shaw Fisher

Assistant Editor:
Cody Wilson

Camera Operator:
Neal Lett
Juan Sebastian Baron

Co-Producer:
Caley Shannon
Abby Lynn Kang Davis

Colorist:
Stephen Derluguian

Coordinating Producer:
Sarah Stewart

Director:
Kris Bowers
Ben Proudfoot

Director of Photography:
Brandon Somerhalder
David Bolen

Editor:
Lukas Dong

Executive Producer:
Paula M. Froehle
Jane Solomon
Ava DuVernay

Foley Editor:
George Murgulia
Biko Gogaladze

Foley Mixer:
Giorgi Lekishvili

Foley Supervisor:
Beso Kacharava

Music Consultant:
Peter Rotter

Music Coordinator:
Khamani Hagood

Music Score Producer:
Max Wrightson

Orchestrator:
Edward Trybek
Henri Wilkinson
Jonathan Beard

Original Music Composer:
Kris Bowers

Post Production Coordinator:
Elizabeth Brooke

Post Production Supervisor:
Dillon Brown

Producer:
Ben Proudfoot
Jeremy Lambert
Kris Bowers

Production Sound Mixer:
Sean Higgins

Score Engineer:
Barbara Gruska

Scoring Mixer:
Stephen Kaye

Screenplay:
Ben Proudfoot

Sound Effects Editor:
Tom Boykin

Sound Re-Recording Mixer:
Sean Higgins

Sound Recordist:
Richard Carlos

Steadicam Operator:
Kyler Jae

Supervising Sound Editor:
Sean Higgins

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.