A work in constant progress (and occasional regress).
Release Date:
November 24, 2020
Original Title:
A Concerto Is a Conversation
Genres:
Documentary | Music
Production Companies:
Breakwater Studios
Chicago Media Project
The New York Times
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 13
A virtuoso jazz pianist and film composer tracks his family's lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Archival Footage Coordinator:
Sarah Stewart
Assistant Camera:
Arturo Ochoa
Shaw Fisher
Assistant Editor:
Cody Wilson
Camera Operator:
Neal Lett
Juan Sebastian Baron
Co-Producer:
Caley Shannon
Abby Lynn Kang Davis
Colorist:
Stephen Derluguian
Coordinating Producer:
Sarah Stewart
Director:
Kris Bowers
Ben Proudfoot
Director of Photography:
Brandon Somerhalder
David Bolen
Editor:
Lukas Dong
Executive Producer:
Paula M. Froehle
Jane Solomon
Ava DuVernay
Foley Editor:
George Murgulia
Biko Gogaladze
Foley Mixer:
Giorgi Lekishvili
Foley Supervisor:
Beso Kacharava
Music Consultant:
Peter Rotter
Music Coordinator:
Khamani Hagood
Music Score Producer:
Max Wrightson
Orchestrator:
Edward Trybek
Henri Wilkinson
Jonathan Beard
Original Music Composer:
Kris Bowers
Post Production Coordinator:
Elizabeth Brooke
Post Production Supervisor:
Dillon Brown
Producer:
Ben Proudfoot
Jeremy Lambert
Kris Bowers
Production Sound Mixer:
Sean Higgins
Score Engineer:
Barbara Gruska
Scoring Mixer:
Stephen Kaye
Screenplay:
Ben Proudfoot
Sound Effects Editor:
Tom Boykin
Sound Re-Recording Mixer:
Sean Higgins
Sound Recordist:
Richard Carlos
Steadicam Operator:
Kyler Jae
Supervising Sound Editor:
Sean Higgins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.