Find Makarov: Operation Kingfish (2011) [NR]

Release Date:
September 2, 2011

Original Title:
Find Makarov: Operation Kingfish

Alternate Titles:
Call of Duty: Operation Kingfish

Genres:
Action | War

Production Companies:
The Junction
We Can Pretend

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 7

"Find Makarov: Operation Kingfish" is the seven-minute sequel to the fan-made, original film, Find Makarov. The real life movie reveals a key moment in Modern Warfare history as Soap recalls one of his most memorable Task Force 141 missions. For more information visit findmakarov.com.

Additional information:

The Search Form


"A" Camera Operator:
Michael Heathcote

Additional Camera:
Daniel Abboud

Art Direction:
Karen Lee
Laura Noxon

Best Boy Electric:
Matthew McCallum

Costume Designer:
Adrienne Baker

Daily Electrics:
Bryan Brooks

Director:
Jeff Chan

Director of Photography:
Gregor Hagey

Editor:
Skinner

First Assistant Director:
Evan Stasyshyn

Gaffer:
Michael Armstrong

Gun Wrangler:
Anna Treusch

Music:
Adam Damelin

Producer:
Evan Stasyshyn
David Fradkin

Production Design:
Karen Lee
Laura Noxon

Production Manager:
Monica Cote
Rachel Peel

Second Unit Director:
Chris Cordell

Second Unit Director of Photography:
Henry Samson

Set Dresser:
Laura Kennedy
Sarah McClean

Stunt Coordinator:
Robbie Cressman

Swing:
Alexis Glover

Technical Supervisor:
Jacky Wan

Third Assistant Director:
John Woo

Utility Stunts:
Geoff Meech
Marco Gennuso
Marcus McKinley

VFX Supervisor:
William Chang

Writer:
Patrick T. Lo
Peter Huang
Chris Paré

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.