Black as Night (2021) [N/A]

Release Date:
October 1, 2021

Original Title:
Black as Night

Alternate Titles:
En la oscuridad de la noche
Welcome to the Blumhouse: Black as Night
Добро пожаловать в Блумхаус: Темнее ночи
Темнее ночи

Genres:
Horror | Thriller

Production Companies:
Amazon Studios
Blumhouse Television

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  FR: 16  JP: R18+  RO: 18 

Runtime: 87

Find your own way to slay.

A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.

Additional information:

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ADR Mixer:
Matt Hovland
Andrew Rice
Aidan Dykes

Art Direction:
Spencer Davison

Boom Operator:
Leonard Suwalski

Casting:
John McAlary

Co-Executive Producer:
Kyle Chalmers
Chris Dickie

Co-Producer:
Terra Abroms
Adan Orozco
Paul B. Uddo

Costume Design:
Eulyn Colette Hufkie

Director:
Maritte Lee Go

Director of Photography:
Cybel Martin

Editor:
Tim Mirkovich

Executive In Charge Of Production:
Scott Foundas

Executive Producer:
Jeremy Gold
Marci Wiseman
Guy Stodel
Jason Blum
Maggie Malina
Lisa Bruce

First Assistant Director:
Georgianna Whitley

Foley Artist:
Jacek Wiśniewski

Foley Editor:
Natalia Lubowiecka

Foley Recordist:
Krzysiek Chodkiewicz
Filip Stefanowski

Original Music Composer:
Jacques Brautbar

Post Production Supervisor:
Edward Wegemann

Producer:
John H. Brister

Production Design:
Owl Martin Dwyer

Production Supervisor:
Paige Pemberton

Screenplay:
Sherman Payne

Sound Mixer:
Richard Schexnayder

Sound Re-Recording Mixer:
Patrick Cyccone Jr.

Special Effects Coordinator:
Mik Kastner

Special Effects Technician:
Edward Joubert

Supervising Sound Editor:
Daniel Pagan

Unit Production Manager:
John H. Brister

Visual Effects Producer:
Nate Smalley

Visual Effects Supervisor:
Matthew T. Lynn
James David Hattin

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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