A work in constant progress (and occasional regress).
Release Date:
November 21, 2020
Original Title:
Und jetzt wir! - Eine Generation schlägt Alarm
Alternate Titles:
Und jetzt wir!
¡Es nuestro turno!: Una generación dispara las alarmas
À nous d'agir! - Portrait d'une génération engagée
Genres:
Documentary | TV Movie
Production Companies:
ARTE
ARTE GEIE
BASIS BERLIN Filmproduktion
CNC
Yami 2
ZDF
Production Countries:
France | Germany
Ratings / Certifications:
N/A
Runtime: 89
The young generation sees their future at risk. They rebel against a lifestyle that threatens to destroy the world. The corona crisis also highlighted the deficits of our globalized economy and society. Does this crisis hold a chance for change for the better? The film draws a picture of the mood of the young generation and goes on a search for traces of ideas and concepts for a world after Corona in France, Germany and Poland. What is really important for young Europeans and how do they assess their future prospects? What scares them and what makes them hope? And who stands in their way and brakes? The TV presenter Aline Abboud meets young activists and artists for this, but she also listens to the opposing voices. Especially in Poland the youth are deeply divided, more and more are getting involved in conservative or nationalist right-wing organizations, while the country is slowly drifting into an anti-democratic dictatorship.
Co-Producer:
Antoine Boukobza
Christophe Nick
Director:
Susanne Erler
Director of Photography:
Clemens Barth
Editor:
Carlotta Kittel
Antje Lass
Executive Producer:
Hans Robert
Tobias Siebert
Music:
Jonathan Ritzel
Manok Roussyalian
Producer:
Uschi Feldges
Sound Designer:
Sebastian Tesch
Sound Mixer:
Florian Beck
Sound Recordist:
Oliver Winkler
Writer:
Susanne Erler
Aline Abboud
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.