Home

See How They Run (2022) [PG-13]

Release Date:
September 9, 2022

Original Title:
See How They Run

Alternate Titles:
Bak Nasıl da Kaçıyorlar
See How They Run
Skat, kā viņi bēg
Veja Como Eles Correm
Вижте как бягат
ראו כיצד הם בורחים
תראו איך הם רצים
ببین چگونه می‌دوند
戏外追凶
看他们如何逃之夭夭

Genres:
Comedy | Crime | Mystery

Production Companies:
DJ Films
Searchlight Pictures
TSG Entertainment

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: M  DE: 12  ES: 12  FR: TP  GB: 12A  GR: K12  HU: 12  IE: 12A  IL: 12  NZ: M  PL: 12  PR: PG-13  SG: PG13  SK: 12  TW: 6  US: PG-13 

Runtime: 99

The greatest murder ever staged

Overview from TheMovieDB

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Patrick Christensen
Mark DeSimone
Chris Navarro
Mike Tehrani

ADR Recordist:
Jennie Shea
Alex Stylianou

Art Department Coordinator:
Tabitha Boyd

Art Direction:
Abbie Bellwood
Daniel Kearns

Assistant Costume Designer:
Emma Burnand
Luan Placks

Assistant Set Decoration:
Sophia Millar
Amy Lockwood
Amy Diamond

Casting:
Yesi Ramirez

Compositing Lead:
Dan Victoire

Compositor:
Nino Oz

Costume Assistant:
Kashca Garwood-Walker

Costume Design:
Odile Dicks-Mireaux

Costume Standby:
Charlotte Ashworth

Costume Supervisor:
Alex Watherston

Costumer:
Holly McLean
Tom O’Dell
Amy Pollitt
Hannah Warren

Dialogue Editor:
Kasper Pedersen

Digital Compositor:
Jonathan Atkins-Pott
Callum Mcnulty

Digital Intermediate Producer:
Suhaila Mahmoud

Director:
Tom George

Director of Photography:
Jamie D. Ramsay

Editor:
Gary Dollner
Peter Lambert

Executive Producer:
Sarada McDermott

First Assistant Director:
Neil Wallace

First Assistant Editor:
Monika Radwańska

Foley Mixer:
Keith Partridge

Foley Supervisor:
Barnaby Smyth

Gaffer:
Carolina Schmidtholstein

Hair Designer:
Nadia Stacey

Line Producer:
Thomas Darby-Evans

Makeup Artist:
Zainab Jaye
Kerieann London

Makeup Designer:
Nadia Stacey

Makeup Supervisor:
Carolyn Cousins

Music Editor:
Robin Baynton
Andy Patterson

Music Supervisor:
Sarah Bridge

Orchestrator:
Mark Baechle
Richard Bronskill

Original Music Composer:
Daniel Pemberton

Pipeline Technical Director:
Thomas Ashby

Post Production Coordinator:
Robert Platt-Higgins

Post Production Supervisor:
Louise Seymour

Producer:
Gina Carter
Damian Jones

Production Design:
Amanda McArthur

Production Manager:
John Palfery Smith

Production Sound Mixer:
Martin Beresford

Rotoscoping Artist:
Blanca Del Pozo Cavallé De Moya

Script Supervisor:
Natalie Scicluna

Second Assistant Director:
Helen Fraser

Second Assistant Sound:
Julian Bale

Set Costumer:
Marianna Bourmpoula

Set Decoration:
Celia De La Hey

Set Dresser:
Piotr Micyk

Sound Designer:
Paul Carter

Sound Re-Recording Mixer:
Paul Carter
Paul Cotterell

Standby Art Director:
Robert Haynes

Stunt Coordinator:
Sarah Franzl

Stunt Double:
Sarah Lochlan
Andrew Burford
Charlie Pawlett
David Newton
Anthony Skrimshire

Stunts:
Matt Da Silva
Grace Franzl
Justin Pearson
Adam Smith

Supervising Art Director:
John Reid

Supervising Sound Editor:
Danny Sheehan

Unit Production Manager:
Liza Carmel

VFX Artist:
Jonathan Jean-Marie Wannyn
Siân Venables
Antonio Pavlov

VFX Editor:
James Devlin

Visual Effects Editor:
Elliot Barrett
James Devlin

Visual Effects Producer:
Zafar Janjua

Visual Effects Supervisor:
Tim Barter
James D. Etherington

Writer:
Mark Chappell

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.