A work in constant progress (and occasional regress).
Release Date:
March 11, 2020
Original Title:
Im toten Winkel
Genres:
Drama | Thriller
Production Companies:
Blue Beam Entertainment
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 118
ADR Mixer:
Michael Lotz
Julius Gracz
Philipp Friesel
ADR Recordist:
Michael Lotz
Assistant Camera:
Marta Melanie Broll
Assistant Editor:
Paula Schöley
Falk Fiedler
Carsten Weinhold
Boom Operator:
Linda Pohlink
Robert Pohlink
Matthias Lange
Casting Coordinator:
Paula Schöley
Colorist:
Michael Roitzsch
Continuity:
Linda Pohlink
Data Wrangler:
Carsten Weinhold
Dialogue Editor:
Julius Gracz
Digital Compositor:
Michael Roitzsch
Director:
Michael Roitzsch
Dressing Prop:
Marta Melanie Broll
Editor:
Michael Roitzsch
First Assistant Director:
Paula Schöley
Foley Artist:
Left Engelmann
Gaffer:
Matthias Lange
Robert Pohlink
Grip:
Stefan Leithold
Rico Bittner
Key Grip:
Tom Donath
Location Coordinator:
Falk Fiedler
Location Scout:
Linda Pohlink
Marta Melanie Broll
Michael Roitzsch
Matthias Lange
Carsten Weinhold
Falk Fiedler
Makeup Artist:
Julika Leiendecker
Isabelle Wendt
Music:
Edward Sikorski
Post Production Supervisor:
Michael Roitzsch
Production Manager:
Paula Schöley
Props:
Linda Pohlink
Rotoscoping Artist:
Susann Beyer
Second Assistant Director:
Linda Pohlink
Sound Designer:
Left Engelmann
Sound Mixer:
Julius Gracz
Carsten Weinhold
Still Photographer:
Udo Heimann
Visual Effects Editor:
Paula Schöley
Marta Melanie Broll
Alessandro Carlino
Hannah Schöley
Visual Effects Supervisor:
Michael Roitzsch
Wardrobe Coordinator:
Paula Schöley
Writer:
Falk Fiedler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.