A work in constant progress (and occasional regress).
Release Date:
December 21, 2023
Original Title:
One Life
Alternate Titles:
Lazos De vida
ONE LIFE 奇跡が繋いだ6000の命
یک زندگی
Genres:
Drama | History | War
Production Companies:
BBC Film
See-Saw Films
Production Countries:
United Kingdom
Ratings / Certifications:
AU: PG CZ: 12+ DE: 12 FI: K-12 FR: TP GB: 12A|12 HK: I IE: 12A IT: T JP: G LT: N-13 NL: 12 NZ: PG PT: M/12 SE: 11 SG: PG US: PG
Runtime: 109
British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Iain Mackay
ADR Mixer:
Thibault Arnold
ADR Recordist:
Roisin King
Additional Photography:
Will Cummins
Art Department Assistant:
Zoe Cavendish
Art Department Coordinator:
Marek Boros
Art Department Trainee:
Yvon Rigg
Art Direction:
Jan Kalous
Assistant Editor:
Lara Channon
Assistant Location Manager:
Hannah Sapira
Assistant Production Coordinator:
Nikolay Savov
Best Boy Electric:
Joshua Lewis-Green
Camera Operator:
Martin Polách
Camera Trainee:
Khadeeja Chowdhury
Dearbhaile Collins
Casting:
Nina Gold
Lucy Amos
Arwa Salmanova
Co-Producer:
Mark Hubbard
Colorist:
Jamie Welsh
Costume Design:
Joanna Eatwell
Digital Imaging Technician:
Harry Bennett-Snewin
Jakub Hejduk
Digital Intermediate:
Oscar Perillo
Director:
James Hawes
Director of Photography:
Zac Nicholson
Editor:
Lucia Zucchetti
Electrician:
Paul Choy
Sacha Kovacevic
Tomas Potuznik
Executive Producer:
Simon Gillis
Maria Logan
Norman Merry
Anne Sheehan
First Assistant "A" Camera:
Ali Youssef
First Assistant "B" Camera:
Martin Maryška
First Assistant Camera:
Ben Brown
First Assistant Director:
Jakub Dvorak
Nick Laurence
First Assistant Editor:
Thora Woodward
Foley Artist:
Jason Swanscott
Foley Editor:
Stuart Bagshaw
Foley Mixer:
Sophia Hardman
Gaffer:
Mark Clayton
Filip Marek
Graphic Designer:
Beth Kendrick
Gabrielle Leon
Hairstylist:
Linda Eisenhamerová
Key Grip:
Kim Worthington
Line Producer:
Kristina Hejduková
Location Manager:
Jessica Nosal
Location Scout:
Cristina Arcay
Mark Gladwin
Jojo Warne
Makeup Artist:
Jean Carlos de Blas
Fiona Matthews
Makeup Designer:
Karen Hartley-Thomas
Original Music Composer:
Volker Bertelmann
Producer:
Joanna Laurie
Iain Canning
Emile Sherman
Guy Heeley
Production Assistant:
Michael Carrithers
Julia Szecsenyi
Production Coordinator:
Joshua Darby
Production Design:
Christina Moore
Production Designer:
Christina Moore
Production Executive:
Laurence Cooper
Ali Moshref
Production Manager:
Aneta Chalas
Adam Porkert
Production Secretary:
Lindani Ndabandaba
Production Sound Mixer:
Alan MacFeely
Property Buyer:
Martin Dvořák
Property Master:
Shane Harford
Karel Stýblo
Screenplay:
Lucinda Coxon
Nick Drake
Script Supervisor:
Hannah Kenneally-Muir
Second Assistant Camera:
Karol Pruzinsky
Second Assistant Director:
Alicia Graf
Jan Gregor
Michael Middleton
Second Assistant Sound:
Richard Morgan
Set Decoration:
Philippa Hart
Petra Vencelidesová
Klara Zimova
Set Dresser:
Jamie Walton
Sound Mixer:
Rashad Hall-Heinz
Sound Re-Recording Mixer:
Rob Hughes
Markus Moll
Special Effects Supervisor:
Chris Reynolds
Steadicam Operator:
Iain Mackay
Still Photographer:
Julie Vrabelová
Storyboard Artist:
Ian McCaffrey
Stunts:
Marek Brichcin
Supervising Art Director:
Aline Leonello
Third Assistant Director:
Christian Proctor
Transportation Captain:
Callum O'Donoghue
Unit Manager:
Jirka Kasparek
Video Assist Operator:
Amir F. Qureshi
Visual Effects Coordinator:
Peter Elton
Visual Effects Editor:
Robert Jewell
Kornelijus Tuzas
Visual Effects Producer:
Sarah Dicks
Visual Effects Supervisor:
David Fowler
Menelaos Pampoukidis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.