A work in constant progress (and occasional regress).
Release Date:
September 17, 1971
Original Title:
Kotch
Alternate Titles:
Antes Que Chegue o Inverno
Elämän parhaat vuodet
Fuego bajo las cenizas
Grand-père à louer
Kotch - en helvedes go' bedstefar
Kotchi ojisan
Livet er hva du gjør det til
Mister Kotch
Opa Kotch - Mit Volldampf aus der Sackgasse
Señor Kotcher
Son aşk
Котч
コッチおじさん
Genres:
Comedy | Drama
Production Companies:
ABC Pictures
ABC Studios
Kotch Company Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 113
When retired salesman Joseph Kotcher begins to feel pressure to move out of the house he shares with the family of his son, he opts to embark on a road trip instead of settling in a retirement home. Befriending Erica, a young pregnant woman and his grandson's former nanny, Kotch begins to finds new meaning in life as he helps her prepare to welcome her baby into the world.
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Additional Editing:
Jeremy Lepard
Art Direction:
Jack Poplin
Assistant Director:
Charles Dismukes
Harry F. Hogan
Assistant Editor:
Irving Rosenblum
Best Boy Lighting Technician:
James Plannette
Camera Operator:
James R. Connell
Casting:
Barbara Gallagher
Costume Design:
John A. Anderson
Director:
Jack Lemmon
Director of Photography:
Richard H. Kline
Editor:
Ralph E. Winters
First Assistant Camera:
Eric D. Andersen
Gaffer:
Tim Griffith
Hairdresser:
Jean Austin
Key Grip:
Kenneth Adams
Location Scout:
Ruth Carter
Makeup Artist:
Harry Ray
Novel:
Katharine Topkins
Original Music Composer:
Marvin Hamlisch
Producer:
Richard Carter
Production Supervisor:
Leon Chooluck
Props:
Richard M. Rubin
Recording Supervision:
Richard Portman
Screenplay:
John Paxton
Second Assistant Camera:
Hal Shiffman
Set Decoration:
William Kiernan
Sound:
Jack Solomon
Sound Effects:
Frank E. Warner
Special Effects:
Jack Erickson
Still Photographer:
Ruth Carter
Robert Willoughby
Title Designer:
Jeremy Lepard
Visual Effects:
Jeremy Lepard
Wardrobe Supervisor:
Connie Anderson
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.