A work in constant progress (and occasional regress).
Release Date:
November 4, 1990
Original Title:
83 Hours 'Til Dawn
Alternate Titles:
83 Stunden - Nervenkrieg gegen die Zeit
83 Stunden Angst
83 de ore până în Zori
83 godziny grozy
83 horas até Amanhecer
83 horas hasta el amanecer
83 ore fino all'alba
83 ores prin tin avgi
83 tuntia auringonlaskuun
83 óra rettegés
83 чaса до изгрева
En grav för Julie
Messze még a hajnal
Ochenta y tres horas para morir
Perversa Agonia
Se 83 ores tha pethaneis
Genres:
Crime | Drama | TV Movie | Thriller
Production Companies:
CBS Studios
Consolidated Productions
Paulette Breen Productions
River City Productions Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 90
A wealthy man's daughter is kidnapped and placed in a box with air for only 83 hours.
Assistant Makeup Artist:
Toni G
Associate Producer:
S. Bryan Hickox
Book:
Barbara Jane Mackle
Gene Miller
Casting:
Karen Hendel
Cinematography:
Gideon Porath
Costume Design:
Judy B. Swartz
Director:
Donald Wrye
Editor:
Curtis Freilich
Executive Producer:
Susan Block-Reiner
Elizabeth M. Struble
First Assistant Director:
Randall Badger
Hair Department Head:
Audrey Futterman-Stern
Hairstylist:
Audrey L. Anzures
Makeup Department Head:
Del Acevedo
Music Editor:
Sherry Whitfield
Original Music Composer:
Gary Chang
Producer:
Paulette Breen
John Levoff
Robert Lovenheim
Production Design:
Mayling Cheng
Script Supervisor:
Linda Arcari
Second Assistant Director:
Ian Woolf
Second Second Assistant Director:
Jeff Okabayashi
Set Decoration:
Rick Caprarelli
Sound Editor:
Bob Costanza
Special Effects Coordinator:
Eddie Surkin
Stunt Coordinator:
Edward J. Ulrich
Stunts:
Russell Towery
Teleplay:
O.R. Keyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.