A work in constant progress (and occasional regress).
Release Date:
January 1, 2003
Original Title:
Il Latitante
Genres:
Action | Crime
Production Companies:
Quality Sound
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 104
A Police Inspector hunts him down: Nicola, supported by the boss Cantalamessa, and protected by some criminal families, moves away from Naples, leaves his wife and children and becomes one of the many fugitives forced between hiding places and constant movements.
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Art Direction:
Alessandra Cadoppi
Assistant Camera:
Alessandro Capuccio
Antonio Iodice
Sacha Melaranci
Assistant Director:
Giulio Cacciapuoti
Assistant Editor:
Rosalba Giacobbe
Assistant Production Design:
Luciana De Porcellinis
Boom Operator:
Bruno Simeone
Camera Operator:
Carlo Aquari
Sergio Melaranci
Chief Lighting Technician:
Fabio Scepi
Cinematography:
Giancarlo Ferrando
Costume Design:
Patrizia Di Bernardi
Director:
Ninì Grassia
Director of Photography:
Giancarlo Ferrando
Driver:
Alessio De Negri
Marcello De Rosa
Editor:
Vanio Amici
Electrician:
Pietro Ciccarelli
Ciro De Falco
Alfonso Palumbo
Giancarlo Secondo Rogoli
Nino Tonnarini
Generator Operator:
Eleonardo Trevisan
Grip:
Giovanni Sarracino
Idea:
Ninì Grassia
Key Grip:
Paolo Palmulli
Makeup Artist:
Massimo Di Girolamo
Producer:
Domenico Domenicone
Production Accountant:
Barbara Noviello
Production Design:
Arturo Palma
Production Manager:
Alfonso Ciccarelli
Production Secretary:
Nunzia Quaranta
Production Supervisor:
Giuseppe Domenicone
Property Master:
Mattia D'Agostino
Raffaele Ciccarelli
Screenplay:
Ninì Grassia
Script Supervisor:
Rosita Provito
Second Assistant Director:
Manolo Capitano
Sound:
Alberto Salvatori
Special Effects Technician:
Luca Ricci
Still Photographer:
Sérgio Guerra
Story:
Ninì Grassia
Stunt Coordinator:
Ottaviano Dell'Acqua
Stunts:
Claudio Alessandro
Umberto De Luca
Arnaldo Dell'Acqua
Franco Dell'Acqua
Alessandro Gaudio
Massimiliano Ubaldi
Wardrobe Assistant:
Valeria Caravaglio
Maria Stefania Virguti
Writer:
Ninì Grassia
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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