A work in constant progress (and occasional regress).
Release Date:
November 11, 2020
Original Title:
George Orwell, Aldous Huxley : « 1984 » ou « Le Meilleur des mondes » ?
Alternate Titles:
George Orwell vs Aldous Huxley: „Rok 1984” czy „Nowy wspaniały świat”?
George Orwell vs. Aldous Huxley
«1984» di Orwell vs «Un mondo nuovo» di Huxley: distopie e deriva totalitaria della società
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
Histoire TV
Les Films en vrac
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 53
The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.
Animation:
Laurent Bompard
Assistant Director:
Hauke Lanz
Assistant Editor:
Louise Le Tutour
Theo Mori
Co-Writer:
Frédéric Gazeau
Color Grading:
Éric Heinrich
Delegated Producer:
Thierry Commissionat
Guillaume Vincent
Benoît Tschieret
Director:
Caroline Benarrosh
Philippe Calderon
Director of Photography:
Nedjma Berder
Editor:
Denis van Waerebeke
Graphic Designer:
Laurent Bompard
Original Music Composer:
Félix Sabal-Lecco
Post Production Supervisor:
Isabelle Zaborowski
Production Manager:
Thierry Commissionat
Benoît Tschieret
Researcher:
Céline Leroux-Vincent
Sound:
Irénée Matuszewski
Sound Editor:
Christophe Moreno
Sound Mixer:
Christophe Moreno
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.