A work in constant progress (and occasional regress).
Featuring:
Gia Carangi, Janice Dickinson, Sandy Linter
Directed by:
J.J. Martin
Release Date:
May 7, 2003
Original Title:
The Self-Destruction of Gia
Alternate Titles:
An American Girl: The Self-Destruction of Gia
Genres:
Documentary
Production Companies:
Cine L'Mod Productions
Ratings / Certifications:
US: NR
Runtime: 80
Filmmaker JJ Martin explores Gia Carangi's life through rare home movies and photos, previously unseen interviews with Gia, and contemporary interviews with family, friends, and associates.
This film has probably helped to saved lives.This is not some Hollywood schlock from the likes of HBO, but instead a thoughtful well intentioned, asking and telling of the facts of Gia's short, but brilliant life. She was truly a Shooting Star.Zoe Lund tells in loving detail how wonderful shooting Heroin can be, until you think you my might just want to try it yourself, and she follows up with just what it's like when you run out. The conclusion you reach, as you listen to Zoe, is that the only way to successfully take Heroin is to NEVER start.If you only see the HBO film "Gia", you'll notice that Angelina never looked worse and the film is thin and uninteresting.You must see "The Self-Destruction of Gia" if you are any kind of Gia Carangi fan, period! I was lucky enough to get tickets when it showed on the last day at the Tribeca Film Festival, and the theater was totally packed. After the film ended, everyone sat thru the credits and seem mesmerized and totally quite as the house lights came up. I've never heard such a dead silence after a film. This film made it past hundreds of other films to be chosen to show at the Tribeca Film Festival, so I guess Robert De Niro and Martin Scorsese must have liked it, as you will too.I bought the DVD online and will be holding on to this baby! Also I'd like to say I think the Directing and Editing is constantly intriguing as you wait for the next probing question and honest revelation.You don't have to know Gia before you see this film, but you will know her after you have seen it.
Cinematography:
Johan Holm
Digital Compositor:
David Lee Boehm
Director:
J.J. Martin
Executive Producer:
Giuseppe Giovanni
Producer:
J.J. Martin
Production Consultant:
Jonathan Gray
Sound Recordist:
David Lee Boehm
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.