A work in constant progress (and occasional regress).
Release Date:
December 8, 2020
Original Title:
Knuckledust
Genres:
Action | Thriller
Production Companies:
Featuristic Films
Head Gear Films
Metrol Technology
The Project
Trigger Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
BR: 16
Runtime: 105
When Police kicks open the doors of the elite underground fight club Knuckledust, they find seven levels of hell, filled with the dead bodies of countless fighters, assassins and goons. Only one man, beaten up to a pulp, is still breathing: Hard Eight.
ADR Editor:
Adrian Furdui
ADR Recordist:
Art Skehan
Art Direction:
Samuel Otis Smith
Associate Producer:
Tom Harberd
Boom Operator:
Rory Smith
Colorist:
Max Horton
Costume Design:
Cynthia Lawrence-John
Director:
James Kermack
Director of Photography:
Pat Aldinger
Editor:
Natasha Wilkinson
Chris Gill
Executive Producer:
Nils Rebehn
Sharunya Varriale
Matthew Bradley
Emilie Robert
Reinhard Besser
Walter Mair
Phil Hunt
Ron Bradley
Compton Ross
James Barton-Steel
First Assistant Director:
Chris Malin
Line Producer:
Peter Fraser
Makeup & Hair:
Sophie Coppola
Makeup Artist:
Lucy Clements
Billie Jade Kermack
Makeup Designer:
Katie King
Original Music Composer:
Walter Mair
Producer:
Julien Loeffler
Laurent Fumeron
Daniel Goroshko
Production Design:
Anna Papa
Set Decoration:
Freya Espie
Sound Effects Editor:
Thomas Holroyd
Sound Mixer:
Mark Andrews
Simon Norman
Special Effects Coordinator:
Toby Stewart
Stunt Coordinator:
Peter Pedrero
Stunt Double:
Darin Elie
Neil Chapelhow
Elizabeth Donker Curtius
Stunts:
Shean Caisley
Miguel Ángel Luque
Jason Beeston
Al Holland
Lucy-Jayne Murray
Elaine Ford
Renars Latkovskis
Donovan Louie
Rubie Planson
Supervising Sound Editor:
Nick Baldock
Writer:
James Kermack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.