A work in constant progress (and occasional regress).
Release Date:
June 15, 1973
Original Title:
Idaho Transfer
Alternate Titles:
Deranged
Genres:
Science Fiction
Production Companies:
Pando Company Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 86
During a time of waning global resources, a crew of young researchers travel into the future to escape an apocalypse before the shutdown of their time transfer project. They find that some type of disaster has de-populated the Idaho region and, by implication, the nation or perhaps the world.
Art Direction:
Jeremy Kay
Assistant Camera:
Richard Yuricich
Jan Kiesser
Robert Isenberg
Blair Brooks
John Grahm
Assistant Director:
Rick Marcus
David McGiffert
Assistant Editor:
Richard Mazzola
Associate Producer:
Anthony T. Mazzola
Best Boy Grip:
Tom Coleman
Boom Operator:
David Schneiderman
Coordinating Producer:
Eugene Mazzola
Director:
Peter Fonda
Director of Photography:
Bruce Logan
Editor:
Chuck McClelland
Executive In Charge Of Production:
Joel Chernoff
Jack Beckett
Gaffer:
Melton C. Maxwell
Key Grip:
Jim Lavin
Vern Matthews
Makeup Artist:
Ted Coodley
Music Editor:
Natalie Mucyn
Original Music Composer:
Bruce Langhorne
Producer:
William Hayward
Producer's Assistant:
Len Marsal
Production Assistant:
Mitchell Brisker
Nancy Giebink
Production Coordinator:
Eugene Mazzola
Production Manager:
Anthony T. Mazzola
Production Secretary:
Susan Kelly
Property Master:
Larry Azman
Screenplay:
Thomas Matthiesen
Security:
Richard Krupp
Sound:
John Brumbaugh
Sound Effects:
Rich Harrison
Sound Effects Editor:
Rich Harrison
Special Effects:
Roger George
Still Photographer:
Peter Riches
Story:
Thomas Matthiesen
Transportation Coordinator:
Loren Ewing
Wardrobe Supervisor:
Joyce Malleur
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.