A work in constant progress (and occasional regress).
Release Date:
June 8, 2023
Original Title:
Asteroid City
Alternate Titles:
Asteroid Şəhəri
Asteroidų miestas
Cidade do Asteroide
Thành Phố Sao Chổi
آستروید سیتی
小行星都市
星城Online
Genres:
Comedy | Drama
Production Companies:
American Empirical Pictures
Indian Paintbrush
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 18A CZ: 12+ DE: 12 DK: 7 ES: 7 FI: K-7 FR: TP GB: 12A GR: K12 HK: IIB HU: 12 IE: 12A IL: All IT: T JP: G KR: 12 MX: B NL: 12 NO: A NZ: M PL: 12 PR: PG-13 PT: M/12 RO: 12 SE: 7 SG: M18 TH: 13 TR: 13+ TW: 0+ US: PG-13
Runtime: 105
In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.
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3D Artist:
Alessandro Aglietti
Actor's Assistant:
Noor Lawson
Additional Editor:
Andrew Weisblum
Animation:
Kim Keukeleire
Armorer:
Jaime Fortea
Art Department Coordinator:
Christine Mouchard
Art Department Production Assistant:
Peaches Harrison
Art Direction:
Alejandro Cymerman
Fernando Contreras Díaz
Leonardo Grillo
Gabriel Liste
Antonio Calvo-Domínguez
Assistant Costume Designer:
Sara O'Donnell
Marco Piemontese
Raffaella Fantasia
Assistant Editor:
Fran Barba
Lucy Benson
Ana Gabriela Fernández Walean
Caroline Rowlands
William Bright
Assistant Foley Artist:
Daniel Moctezuma
Assistant Location Manager:
Paco Úbeda
Rubén Gundín
Assistant Production Coordinator:
Mario Parra Barba
Assistant Set Decoration:
Sonia Nolla
Kat Tedesco
Assistant Set Decoration Buyer:
Louise Pichon
Assistant Set Dresser:
Rubén Tamayo
Héctor Echávarri
Associate Producer:
Molly Rosenblatt
Best Boy Electric:
Pablo Dolado
Best Boy Grip:
Óscar Cano
Benjamin Vial
Boom Operator:
Jaime Llanos
Camera Loader:
Truman Hanks
Carpenter:
Javier Orgaz
Casting:
Douglas Aibel
Casting Associate:
Deborah Maxwell Dion
Sara Bilbatúa
Rosa Binod
Matthew Glasner
Clearances Coordinator:
Wendy Cohen
Co-Producer:
Octavia Peissel
John Peet
Colorist:
Doychin Margoevski
Gareth Spensley
Compositing Supervisor:
Jack Rhys Phillips
Jason Hayes
Concept Artist:
Turlo Griffin
Alexios Chrysikos
Victor Georgiev
Carl Sprague
Construction Coordinator:
Steph Guerreau
Costume Coordinator:
Charlotte Nguyen
Costume Design:
Milena Canonero
Costume Illustrator:
Christian Cordella
Elisabetta Frijia
Costumer:
Alexis Vérité
Daniel Gonzalez
Crowd Assistant Director:
Rebecca Cornford
Emmanuel Granados
Eva Ferradas
Alejandra Rey
Gonzalo Fernández G
Maria Bardi
Victor Quintero
Ricardo Ron Pérez
Daily Electrics:
Luke Greenan
Dialogue Editor:
Russell Farmarco
Digital Compositor:
Teresa Lozano Pastor
Elisa Mar Ferre
Ludovic Gramont
Gabriella Kassinou
Sarah Juniper
Mary Mullan
Jo De Mey
Robin Leeb
Stacy Mangan
Federico Funari
Kyran Bishop
Valerie Wöllner
Alex Balmer
Manuel Plach
Jerome Tai
Charly Saujot
Director:
Wes Anderson
Director of Photography:
Robert D. Yeoman
Tristan Oliver
Draughtsman:
Ana Martínez Fernández
Borja Morant
Driver:
Inãki Pérez Morante
Imma Gonzalez
Editor:
Barney Pilling
Electrician:
Chús López
Nacho Solera
Carlos Bixquert
Xavi Ruiz
Gonzalo Mañana
Sergio Mantecón
Executive Producer:
Christoph Fisser
Henning Molfenter
Roman Coppola
Charlie Woebcken
Finance:
Beatrice Giraud
First Assistant Camera:
Mark Swaffield
Vincent Scotet
First Assistant Director:
Atilla Salih Yücer
First Assistant Editor:
Caroline Rowlands
Foley Artist:
Steve Baine
Foley Mixer:
Peter Persaud
Gaffer:
Gregory Fromentin
Graphic Designer:
Lucile Gauvain
Erica Dorn
Grip:
Roger Sandaker
José Ángel Manrique
Hair Designer:
Julie Dartnell
Hairstylist:
Esther Liébana
Selmo del Campo
Key Grip:
Benjamin Vial
Sanjay Sami
Key Rigging Grip:
Christian Trujillo
Key Set Costumer:
Chloé Lesueur
Legal Services:
Avy Eschenasy
Lighting Design:
Matt Daw
Lighting Programmer:
John McGarrigie
Sarah Brown
Lighting Technician:
Eric Belda
Gonzalo Felix de Castro
Line Producer:
Frédéric Blum
Location Manager:
Ricardo Ferrari
Makeup & Hair:
Niall Monteith-Mann
Anastasia Storey
Claire Matthews
Inma Azorin
Ann Fenton
Makeup Artist:
Pilar Camacho Paulino
Lisa Hernandez
Veronica Almendros
Aida Carballo
Makeup Designer:
Julie Dartnell
Makeup Supervisor:
Julia Vernon
Matte Painter:
Paul Phippen
Music Coordinator:
Meghan Currier
Music Editor:
Robin Baynton
Music Supervisor:
Randall Poster
Original Music Composer:
Alexandre Desplat
Other:
Kimberly Pope
Joe Thad Deahl
Painter:
Vincent Audoin
François Morel
Picture Car Coordinator:
Stewart Homan
Post Production Coordinator:
Lewis Humble
Producer:
Jeremy Dawson
Steven M. Rales
Wes Anderson
Producer's Assistant:
Katharine Stocker
Production Accountant:
Emma Fuller
Production Assistant:
Victor Bergadà
Production Design:
Adam Stockhausen
Production Driver:
Emilio R. López
Production Executive:
Ali Moshref
Production Office Assistant:
Borja Mochón
Property Buyer:
Elias Robles
Property Master:
Sandy Hamilton
Props:
Jesús Ortiz Fernández
Robert Wiesner
Charlotte Osinga
Michael Koelsch
Prosthetics:
Richard Martin
Waldo Mason
Paul Jones
Gary Archer
Prosthetics Sculptor:
Sebastian Lochmann
Rigging Gaffer:
Carlos Bujedo
Roto Supervisor:
Ben Johnston
Rotoscoping Artist:
Gabriele Margara
Scenic Artist:
Laura Fernández Mon
Screenplay:
Wes Anderson
Script Supervisor:
Jennifer Furches
Sculptor:
Luigi Ottolino
Roberto Bolea
Ana Valle
Paco Valderrama
Seamstress:
Patricia Colin
Second Assistant Accountant:
Sandra Castellano
Second Assistant Camera:
Felix Terreyre Saint-Cast
Second Assistant Director:
Gemma Nunn
Second Second Assistant Director:
María Herrera Badía
Second Unit Director:
Martin Scali
Sequence Lead:
Zsolt Sebok
Set Decorating Coordinator:
Carlos Saponi
Set Decoration:
Kris Moran
Set Dresser:
Tanis Villar
Pau Albin
Pedro Godoy
Set Production Assistant:
Honor Northridge
Sound Effects Editor:
Luis Galdames
Taylor Flinn
Sound Mixer:
Valentino Giannì
Sound Re-Recording Mixer:
Wayne Lemmer
Chris Scarabosio
Special Effects:
Carlos Lagunas
Special Effects Coordinator:
Teresa Costa
Special Effects Makeup Artist:
Chris Lyons
Special Effects Supervisor:
Pau Costa
Tono Garzón
Special Effects Technician:
Felipe Dorado
Hugo André Nunes
Special Props:
Paco Santamaria
Standby Art Director:
Carmen Ruiz de Huidobro
Standby Painter:
Catherine Little
Standby Property Master:
Benoît Herlin
Mike Drury
Steadicam Operator:
Sanjay Sami
Still Photographer:
Roger Do Minh
Story:
Roman Coppola
Wes Anderson
Storyboard Artist:
Jay Clarke
Stunt Coordinator:
Dominique Fouassier
Stunt Driver:
Sébastien Fouassier
Supervising Art Director:
Stéphane Cressend
Supervising Sound Editor:
Wayne Lemmer
Chris Scarabosio
Thanks:
Martin Scorsese
Third Assistant Director:
Guy Trevellyan
Translator:
Oskar Valles
Transportation Coordinator:
Sonia Parada
Travel Coordinator:
Marta González Jerez
Unit Manager:
Bertrand Girard
VFX Editor:
Carlo Milillo
Simon Pannequin
Simon Harris
VFX Production Coordinator:
Olivia du Vergier
VFX Supervisor:
Jim Parsons
Visual Effects:
Thomas Rath
Michael Christ
Will Phillips
Visual Effects Assistant Editor:
Nicholas Cereola
Visual Effects Compositor:
Jorgo Gjikopulli
Juan Valenzuela Alcaraz
Anthony Williams
Nikos Pittas
Tom Tatchell
Alasdair Wynn
Visual Effects Coordinator:
Rebecca Cornford
Nadège Moreau
Jacob Percival
Patricia Manes Weber
Natasha Nader
Visual Effects Director:
Matthew Bristowe
Visual Effects Editor:
Simon Harris
Carlo Milillo
Visual Effects Producer:
Sebastián Eyherabide
Lucy Lawson-Duckett
Abhishek Kumar
Emma Watterson
Konstantina Vonorta
Mira Djovcos
Valentin Struklec
Guillaume Marien
Samantha Rocca
Peter Rogers
Visual Effects Production Manager:
Marta Baidek
Visual Effects Supervisor:
Franz Brandstaetter
Jonathan Cheetham
Cale Pugh
Mark Holman Harris
Tim Ledbury
Lev Kolobov
Llyr Williams
Anthony Lyant
Wardrobe Supervisor:
Patricia Colin
Wigmaker:
Gemma Dillon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.