A work in constant progress (and occasional regress).
Release Date:
February 9, 1967
Original Title:
Accident
Alternate Titles:
Accidente
Acidente Estranho
Extraño accidente
できごと
Genres:
Crime | Drama | Romance
Production Companies:
Royal Avenue Chelsea
Production Countries:
United Kingdom
Ratings / Certifications:
FR: U GB: PG PT: M/12 US: NR
Runtime: 105
Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.
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Art Direction:
Carmen Dillon
Assistant Director:
Richard F. Dalton
Camera Operator:
Derek V. Browne
Construction Manager:
Tony Morris
Continuity:
Pamela Davies
Costume Design:
Beatrice Dawson
Director:
Joseph Losey
Director of Photography:
Gerry Fisher
Editor:
Reginald Beck
Hairdresser:
Pearl Tipaldi
Makeup Artist:
Bob Lawrance
Musician:
David Snell
John Marron
Novel:
Nicholas Mosley
Orchestrator:
David Lindup
Original Music Composer:
John Dankworth
Producer:
Norman Priggen
Joseph Losey
Production Secretary:
Vicki Deason
Production Supervisor:
Geoffrey Haine
Property Buyer:
Geoffrey Stephenson
Props:
Alf Pegley
Publicist:
Theo Cowan
Screenplay:
Harold Pinter
Sound Editor:
Alan Bell
Sound Recordist:
Gerry Humphreys
Simon Kaye
Still Photographer:
Ted Reed
Unit Publicist:
Maureen Gregson
Wardrobe Supervisor:
Sue Yelland
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.