A work in constant progress (and occasional regress).
Release Date:
August 6, 1999
Original Title:
The Sixth Sense
Alternate Titles:
El sexto sentido (The Sixth Sense)
I Ékti Aísthisi
Kuues Meel
Le Sixième sens
Sexto Sentido
Shesto chuvstvo
Shestoye chuvstvo
Shikkusu sensu
Shoste vidchuttya
Sixième sens
The Sixth Sense (1999)
The Sixth Sense - Der sechste Sinn
The Sixth Sense - Il sesto senso
Šesto čulo
الحاسة السادسة
حس ششم
灵异第六感
第六感
鬼眼
Genres:
Drama | Mystery | Thriller
Production Companies:
Barry Mendel Productions
Hollywood Pictures
Spyglass Entertainment
The Kennedy/Marshall Company
Production Countries:
United States of America
Ratings / Certifications:
AR: 13 AU: M BE: 16 BR: 12 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 HK: IIB HU: 16 IE: 15 IS: 16 IT: VM14 JP: R-15 KR: 12 MX: C MY: 18SG NL: 16 NO: 15 NZ: M PH: R-13 PL: 12 PT: M/12 RO: 18 RU: 12+ SE: 11 SG: PG13 US: PG-13
Runtime: 107
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2001 #60 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2005 #44 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “I see dead people.” |
2007 #89 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
ADR Editor:
Kenton Jakub
ADR Mixer:
David Boulton
Additional Photography:
David Golia
Additional Second Assistant Camera:
Leon Sanginiti
Aerial Coordinator:
Robert 'Bobby Z' Zajonc
Apprentice Sound Editor:
Eric Dachs
Art Direction:
Philip Messina
Assistant Accountant:
Virginia E. Beard
Assistant Art Director:
Charles E. McCarry
Assistant Chief Lighting Technician:
Steven Litecky
Assistant Director:
John Rusk
Assistant Editor:
Anne O'Brien
Assistant Location Manager:
Patricia Taggart
Assistant Production Coordinator:
Kirsten Turner
Assistant Property Master:
Joseph Timothy Conway
Assistant Sound Editor:
Jeremy Molod
Best Boy Grip:
Jon Sibert
Boom Operator:
Linda Murphy
Camera Operator:
Kyle Rudolph
Carpenter:
Jeff Zook
Casting:
Avy Kaufman
Casting Associate:
Beth Bowling
Julie Lichter
Chief Lighting Technician:
Scott H. Ramsey
Color Timer:
Dan Valliere
Conductor:
Pete Anthony
Construction Coordinator:
Paul Williams
Construction Grip:
Christopher F. Graneto
Costume Design:
Joanna Johnston
Costume Supervisor:
Pamela Wise
Costumer:
Nigel Boyd
Craft Service:
Vince Digiacomo
Dialect Coach:
Francie Brown
Dialogue Editor:
David A. Cohen
Digital Effects Supervisor:
Tim Landry
Director:
M. Night Shyamalan
Director of Photography:
Tak Fujimoto
Dolly Grip:
Kurt Rimmel
Driver:
Richard Curry
Editor:
Andrew Mondshein
Effects Supervisor:
John Rosengrant
Electrician:
William Louthe
Executive Producer:
Sam Mercer
Extras Casting:
Diane Heery
First Assistant Accountant:
Beverly Jusi
First Assistant Camera:
Emil Hampton
First Assistant Editor:
John Scott Cook
Foley Artist:
Marnie Moore
Foley Editor:
David Franklin Bergad
Foley Mixer:
Ben Conrad
Foley Recordist:
Grant Foerster
Generator Operator:
Bill Fiedler
Greensman:
James Breen
Hairstylist:
Bunny Parker
Key Construction Grip:
Duncan M. Spencer
Key Grip:
Billy Miller
Key Hair Stylist:
Francesca Paris
Leadman:
Tom West
Location Manager:
Andrew L. Ullman
Main Title Designer:
Stephen Lawes
Makeup Artist:
Michal Bigger
Gerald Quist
Music:
Michael Fey
Music Editor:
Thomas S. Drescher
Negative Cutter:
Mo Henry
Orchestrator:
Jeff Atmajian
Original Music Composer:
James Newton Howard
Payroll Accountant:
Renee D. Czarapata
Post Production Assistant:
Jae Stein-Grainger
Post Production Supervisor:
Paul A. Levin
Producer:
Frank Marshall
Kathleen Kennedy
Barry Mendel
Production Accountant:
Doug Moreno
Production Assistant:
Megan Fenerty
Production Coordinator:
Stiles White
Production Design:
Larry Fulton
Production Supervisor:
Lynn Andrews
Projection:
Dan Carter
Property Master:
Arthur Shippee
Prosthetic Makeup Artist:
Richard Alonzo
Rigging Gaffer:
Craig Ligget
Rigging Grip:
James A. Casey
Scenic Artist:
Greta Alexander
Script Supervisor:
Claire Cowperthwaite
Sculptor:
Dave Barnes
Second Assistant Camera:
Daniel C. Cook
Second Assistant Director:
Scott Robertson
Second Second Assistant Director:
Sonia Bhalla
Second Unit Director:
Andrew Mondshein
Security:
Robert Biddle
Set Decoration:
Douglas A. Mowat
Set Decoration Buyer:
Christine Wick
Set Dressing Artist:
Frank Grasso
Set Medic:
Mary Berkelbach
Shop Electric:
I. Nate Scaglione
Sound Designer:
Michael Kirchberger
Sound Effects Editor:
E. Larry Oatfield
Sound Mixer:
Allan Byer
Special Effects Supervisor:
Garry Elmendorf
Stand In:
Joseph Barry
Still Photographer:
Ron Phillips
Storyboard Artist:
Brick Mason
Studio Teachers:
Carolyn Crimley
Stunt Coordinator:
Jeff Habberstad
Stunt Double:
Terry Jackson
Stunts:
Mick O'Rourke
Supervising Sound Editor:
Michael Kirchberger
Systems Administrators & Support:
James Healy
Thanks:
Steve Briemer
Transportation Co-Captain:
John Tarlini Sr.
Transportation Coordinator:
John Morrone III
Unit Production Manager:
Sam Mercer
Unit Publicist:
Joe Everett
Video Assist Operator:
Christopher Murphy
Visual Effects Producer:
David McCullough
Writer:
M. Night Shyamalan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.