The Bus Stop (2018) [N/A]

Release Date:
October 18, 2018

Original Title:
The Bus Stop

Genres:
Drama

Production Companies:
Capilano University
Moving Images Distribution

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 15

Michelle, a mother and former full-time worker, is tasked with taking care of her mother, Indira, who has begun to develop dementia. Faced with the prospect of having to put her in a home, Michelle struggles to evaluate her priorities.

Additional information:

The Search Form


Best Boy Electric:
Chris Ajtony

Best Boy Grip:
Nic Peerson

Boom Operator:
Jerod Spence

Casting:
Reagan Glasson

Cinematography:
Emma Djwa

Co-Producer:
Kama Sood

Costume Design:
Brooke Reid

Digital Imaging Technician:
Nicholas Kuang

Director:
Kama Sood

Dolly Grip:
Max Pearce

Drone Operator:
Keaton Lawlor

Editor:
Kevin Koltai

Executive Producer:
Michael Thoma

First Assistant Camera:
Gurleen Kaur

First Assistant Director:
Steve Nguyen

Gaffer:
Mike Pintea

Grip:
Joseph Logelin
Ben Swan

Key Grip:
Veronica Anderson

Lighting Technician:
Reid Faulkner

Location Manager:
Sage Hancox

Makeup Artist:
Chelsea Mariya

Producer:
Aidan Kyle

Production Design:
Sabrina Lynn

Script Supervisor:
Gavin Tran

Second Assistant Camera:
Nathalie Taylor

Second Assistant Director:
Mikaela Schiess

Set Decoration:
Alexander Nolan

Sound Mixer:
Noah Meyer

Writer:
Kama Sood
Aidan Kyle

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.