A work in constant progress (and occasional regress).
Release Date:
August 27, 1975
Original Title:
La città sconvolta: caccia spietata ai rapitori
Alternate Titles:
Dirty Deal
Running Guns - Die Nacht der Rache
虎穴搏命
Genres:
Action | Crime
Production Companies:
Cinemaster
Production Countries:
Italy
Ratings / Certifications:
DE: 16
Runtime: 100
After his son is kidnapped, a millionaire industrialist seeks revenge, in spite of the potential danger that his rash actions will bring about for his child and another kidnapped boy, the son of a poor mechanic.
Administration:
Paolo Rampazzo
Armorer:
Basilio Patrizi
Assistant Camera:
Francesco Gagliardini
Bernardo Valli
Luigi Bernardini
Assistant Costume Designer:
Mirella Novelli
Assistant Director:
Angelo Vicari
Assistant Editor:
Roberto Puglisi
Roberto Gianandrea
Assistant Makeup Artist:
Giovanna Manca
Assistant Production Design:
Sandro Bellomia
Cristiano Tessari
Boom Operator:
Luigi Salvatore
Camera Operator:
Roberto Brega
Costume Design:
Maria Luisa Panaro
Director:
Fernando Di Leo
Director of Photography:
Erico Menczer
Editor:
Sergio Montanari
Electrician:
Rodolfo Flibotti
Foley Artist:
Renato Marinelli
Hairstylist:
Gilda De Guilmi
Key Grip:
Maurizio Micalizzi
Makeup Artist:
Cristina Rocca
Master at Arms:
Gilberto Galimberti
Original Music Composer:
Luis Bacalov
Producer:
Galliano Juso
Production Design:
Francesco Cuppini
Production Manager:
Lanfranco Ceccarelli
Production Secretary:
Maurizio Giorgi
Enzo Prosperini
Production Supervisor:
Renato Fiè
Screenplay:
Fernando Di Leo
Ernesto Gastaldi
Nicola Manzari
Script Supervisor:
Marisa Agostini
Sound:
Goffredo Salvatori
Sound Mixer:
Franco Bassi
Still Photographer:
Ermanno Consolazione
Story:
Galliano Juso
Stunt Coordinator:
Sergio Mioni
Unit Publicist:
Matteo Spinola
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.