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Aurora Teagarden Mysteries: Reunited and It Feels So Deadly (2020) [PG]

Release Date:
October 18, 2020

Original Title:
Aurora Teagarden Mysteries: Reunited and It Feels So Deadly

Alternate Titles:
Aurora Teagarden Mysteries Reunited and It Feels So Deadly

Genres:
Crime | Drama | Mystery | TV Movie

Production Companies:
Head First Productions
Lighthouse Pictures
Muse Entertainment
iCandy Production

Production Countries:
Canada | United States of America

Ratings / Certifications:
US: PG 

Runtime: 84

Overview from TheMovieDB

Aurora's high school reunion turns deadly when a body is found in the hotel pool. Aurora and her Real Murders Club help investigate which classmate was most likely to kill.

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Additional information:

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Trailer

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Performers

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Production

"A" Camera Operator:
Collin Morrison

"B" Camera Operator:
Leonardo Harim

ADR Editor:
Kevin Townshend

ADR Mixer:
Daniel Cardona

Art Direction:
Koraleen Jarvis

Assistant Accountant:
Aidan Heatley

Assistant Costume Designer:
Michael David George

Assistant Editor:
Chi Toa So
Joselyn Hernandez
Tony Rodney

Assistant Hairstylist:
Kayla Kertesz

Assistant Location Manager:
Simone Mawson
Steve Kinghorn

Assistant Makeup Artist:
Aine Plunkett

Assistant Production Coordinator:
Katrine Prud'Homme
Brea Malinsky

Assistant Property Master:
Coralee Draginda

Assistant Set Decoration:
Chet Gibson

Assistant Sound Editor:
Joselyn Hernandez
Tony Rodney

Associate Producer:
Evan Tussman

Background Casting Director:
Stephanie Boeke
Laurie Pavon Solis

Best Boy Electric:
Warren Tiplady

Best Boy Grip:
Cholo Medina

Boom Operator:
Taymaz Saba
Xavier Prat
Tor Dekker

Casting:
Candice Elzinga

Casting Assistant:
Martina Smyth

Characters:
Charlaine Harris

Colorist:
Lionel Barton

Costume Design:
Barbara Gregusova

Costume Set Supervisor:
Martin Gregus
Tara Hansen

Costumer:
Martin Gregus Jr.
Marlo de Vaal

Craft Service:
Kathaleen Smith

Dialogue Editor:
Kevin Townshend

Digital Imaging Technician:
Jason Kwan

Director:
Martin Wood

Director of Photography:
Pieter Stathis

Dolly Grip:
Chris Bayko
Keith Granger

Editor:
Brad Rines

Executive Producer:
Candace Cameron Bure
Michael Prupas
Joel S. Rice
Jim Head
Charlaine Harris
Shawn Williamson

First Assistant "A" Camera:
Jessica Lo
Sam Acton King

First Assistant Director:
Kevin Speckmaier

Foley Artist:
Javier Ivan Perez

Foley Editor:
Francisco Frial
Kevin Morales

Foley Recordist:
Jesus Gerardo Martinez Angeles
Susana Cuevas Chew

Gaffer:
Rob Hamilton

Generator Operator:
Dan Leusca

Grip:
Matt Halliday
Cleve Hatlied
Christine Boyd
Ryan Palethorpe

Key Grip:
Sean Rodney
Jeff Wood

Key Hair Stylist:
Amy Lamon

Key Makeup Artist:
Ashley Lamon

Lead Set Dresser:
Alex Ford

Location Manager:
Christina Ollson

Music Coordinator:
Hollie Sanders

Music Supervisor:
Siân O'Byrne

Online Editor:
Marco Abraham

Original Music Composer:
Mario Vaira

Payroll Accountant:
Gretchen Heatley

Post Production Coordinator:
David Rice

Post Production Supervisor:
Andy Levine

Producer:
Jamie Goehring
John MacCarthy

Production Accountant:
Trudi Thorwaldson

Production Coordinator:
Joey Setter

Production Design:
Jordan Bent

Production Manager:
Michelle Samuels

Property Master:
Daniel Cipilinsky

Props:
Cody Baker

Script Supervisor:
Kay Metchie
Jessica L. Randall

Second Assistant "A" Camera:
Robin Miller

Second Assistant "B" Camera:
Tiara Adams

Second Assistant Director:
Adam McCarthy

Set Decoration:
Elliott Vion

Set Dresser:
Annie Hewitt

Sound Designer:
Ken Cade

Sound Editor:
Francisco Frial
May Guimarães

Sound Mixer:
James Schoening

Sound Re-Recording Mixer:
Kevin Morales
May Guimarães

Sound Supervisor:
Adam Sharpe

Special Effects Supervisor:
Robert Musnicki

Steadicam Operator:
Collin Morrison

Still Photographer:
Ricardo Hubbs

Story:
Jim Head

Stunt Coordinator:
Landon Jackle

Stunt Double:
Brad Turner
Jason Bell
Louise Hradsky

Third Assistant Director:
Jason Yeung
Andrew Thomas Hopkins
Joel Reimer

Transportation Coordinator:
Dean Fitzpatrick

Truck Costumer:
Rebecca Brauer Thorne
Elena Gregusova

Visual Effects:
Patricia Gannon

Writer:
Teena Booth

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.