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A Serbian Film (2010) [NC-17]

Release Date:
June 16, 2010

Original Title:
Srpski film

Alternate Titles:
A Serbian Film
A Serbian Film - Terror sem Limites
A Serbian Film - UC
Bir Sırp Filmi
Serbiškas filmas
Serbskiy film
Srpski Film
Srpski film
Szerb film
Una película serbia
Сербский фильм
Сербський фільм
Сръбски филм
セルビアン・フィルム
세르비안 필름

Genres:
Crime | Horror | Thriller

Production Companies:
Contra Film

Production Countries:
Serbia

Ratings / Certifications:
DE: 18  ES: 18  FR: 18  GB: 18  MX: D  NL: 16  US: NC-17 

Runtime: 103

Not all films have a happy ending

Overview from TheMovieDB

Retired porn star Milos leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.

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Performers

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Production

Boom Operator:
Nenad Jovanović

Camera Operator:
Pablo Ferro Živanović
Bojan Brbora

Costume Design:
Jasmina Sanader

Director:
Srđan Spasojević

Director of Photography:
Nemanja Jovanović

Editor:
Darko Simić

Executive Producer:
Dragoljub Vojnov
Nikola Pantelić

First Assistant Camera:
Draško Pejanović

Gaffer:
Dragan Tenjović

Makeup Artist:
Dubravka Bušatlija

Makeup Effects:
Miroslav Lakobrija

Original Music Composer:
Sky Wikluh

Producer:
Srđan Spasojević

Production Design:
Nemanja Petrović

Script Supervisor:
Marija Stanošević

Sound Designer:
Aleksandar Protić

Sound Editor:
Nikola Živković

Sound Re-Recording Mixer:
Aleksandar Perišić

Sound Recordist:
Miloš Drobnjaković

Special Effects Supervisor:
Miroslav Lakobrija

Steadicam Operator:
Miloš Kodemo

Writer:
Aleksandar Radivojević
Srđan Spasojević

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.