A work in constant progress (and occasional regress).
Featuring:
Zofia Stafiej, Kinga Preis, Arkadiusz Jakubik
Written by:
Piotr Domalewski
Directed by:
Piotr Domalewski
Release Date:
September 25, 2020
Original Title:
Jak najdalej stąd
Alternate Titles:
Я никогда не плачу
Genres:
Drama
Production Companies:
Akson Studio
MK1 Productions
TVP
Production Countries:
Ireland | Poland
Ratings / Certifications:
BR: 14 GB: 15
Runtime: 98
Ola sets off to Ireland to bring her father's body back to Poland after he dies in a building site accident. But never mind her dad, Ola wants to know if he had saved money for the car he had promised her. Dealing with foreign bureaucracy in her own streetwise way, Ola will get to know her father.
Olka must travel to Ireland to bring her father's body back to Poland after he died working at a construction site. But never mind her dad, Olka wants to know if he saved money for the car he had promised. Dealing with foreign bureaucracy in her own street-smart way, Olka learns that her biggest dream wasn't a car, but getting to know her dad.
Internet Movie Database | 7.0/10 |
---|---|
Rotten Tomatoes | 100% |
Awards Won: | 13 wins & 14 nominations |
Administration:
David Sheehy
Edelweiss Norton
Gabriela Ciechanowiecka
Animation:
Mateusz Kozak
Assistant Costume Designer:
Ewelina Bunia
Agata Maciak
Michele Navarro Power
Assistant Director:
Carmen Kovacs
Assistant Production Manager:
Holly Dowling
Caoilinn Handley
Wojciech Strzemiński
Camera Operator:
Klaudiusz Warszewski
Piotr Sobociński Jr.
Casting:
Mike Foott
Ewa Brodzka
Catering:
Beata Nienautowska
Ivan Melia
Dariusz Kijok
Mariusz Białek
Aneta Kielak
Stanisław Niemczak
Ravind Mahadea
Sangam Baral
Costume Design:
Sarah Yeoman
Aleksandra Staszko
Dialogue Editor:
Adam Szlenda
Ewa Wrzesińska
Digital Intermediate:
Michał Krajewski
Director:
Piotr Domalewski
Director of Photography:
Piotr Sobociński Jr.
Editor:
Agnieszka Glińska
Executive Producer:
Małgorzata Fogel-Gabryś
Cormac Fox
Health and Safety:
Wojciech Konkol
Glenn Fox
Interior Designer:
Katarzyna Filimoniuk
Karina Sygowska
Key Grip:
Robert Łukowski
Makeup & Hair:
Daria Siejak
Linda Mooney
Master Lighting Artist:
Bogdan Modzelewski
Medical Consultant:
Brendan Conway
Monika Jasińska
Brian O'Byrne
Mick Doyle
John McCartin
Marek Bulski
Music Consultant:
Agnieszka Szczepańska
Music Producer:
Hania Rani
Musician:
Karolina Gutowska
Hania Rani
Agnieszka Podłucka
Małgorzata Oller
Maciej Dobrzański
Kornelia Grądzka
Original Music Composer:
Hania Rani
Post Production Coordinator:
Monika Lang
Producer:
Julie Ryan
Jan Kwieciński
Production Coordinator:
Magdalena Pietrowska
Production Design:
Katarzyna Filimoniuk
Edyta Fleszar
Production Manager:
Magdalena Badura
Des Martin
Props:
Karl Freyne
Karina Sygowska
Public Relations:
Martyna Weryńska
Olga Kwiecińska-Kaplińska
Sound:
Kacper Habisiak
Sebastian Kordasz
Marcin Kasiński
Sound Director:
Kacper Habisiak
Marcin Kasiński
Sound Effects Editor:
Filip Krzyżykowski
Still Photographer:
Jarosław Poliwko
Anthony Courtney
Arkadiusz Stankiewicz
Stunt Coordinator:
Maciej A. Maciejewski
Conor Hegarty
Translator:
Konrad Sobieszczański
Jason Merle
Paweł Włochacz
Agata Rudowska
VFX Supervisor:
Paweł Tybora
Writer:
Piotr Domalewski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.