A work in constant progress (and occasional regress).
Release Date:
June 24, 2016
Original Title:
贞子大战碟仙
Alternate Titles:
Sadako vs. Dixian
Genres:
Horror | Thriller
Production Countries:
China
Ratings / Certifications:
N/A
Runtime: 65
The main feature of the film is suspense and horror, which brings together the Chinese and Japanese ghost culture. The battle between the two forces makes the film process endless surprises. The high-profile and sophisticated production make this movie a rare online movie. For the first time in the film, the two roles of Zhenzi and Dixian are set up to be a forceful confrontation, which adds to the viewability of the film. Humanized processing, suspense upgrades, scientific and reasonable explanations, and just right horror effects have brought the film back to a very rational logic. The protagonists are all eye-catching, handsome men and beautiful women, dressed in uniform campus uniforms, fresh and beautiful, so that some male audiences are impeccable on "Zhengzi vs. Dixian"
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.