A work in constant progress (and occasional regress).
Release Date:
September 26, 2019
Original Title:
Ang Laswa ni Lola Mame
Alternate Titles:
Lola Mame's Vegetable Soup
Genres:
Drama | Family | History | War
Production Companies:
Up Cineastes' Studio
Production Countries:
Philippines
Ratings / Certifications:
US: PG-13
Runtime: 12
A war-torn grandmother, Lola Mame conceals her past from her tenacious and curious grandson Sen. He is persistent in uncovering his grandmother's past. He is motivated not only by academic recquirement but also his longing to puzzle a part of his identity. However, for Lola Mame, there is no secret kept forever. The past is a continuing present.
Art Department Assistant:
Albert Blue Manlapig
Mayumi Sarmiento
Assistant Director:
Gian Paulo Suarez
Associate Producer:
Rhea H. Entuna
John Alson H. Entuna
Boom Operator:
Ton Tiples
Camera Operator:
Renz Gonzales
Casting Coordinator:
Kim Vivar
Jasmine Mendoza
Cinematography:
Xzyron Dumabok
Color Grading:
Vincent Joseph Entuna
Continuity:
Nathalie Sanga
Director:
Vincent Joseph Entuna
Driver:
Santiago Luna Jr.
Editor:
Vincent Joseph Entuna
Editorial Coordinator:
Kristoffer Gaspar
Executive Producer:
Jose Vicente S. Entuna
Gaffer:
Renz Gonzales
Line Producer:
Bam Manlongat
Location Manager:
Abby Vizcarra
Makeup & Hair:
Jerwin Balay
Music Arranger:
Zchelmer Joash Gamboa
Producer:
Vincent Joseph Entuna
Gian Paulo Suarez
Production Design:
Jefferson Losito
Production Manager:
Gab Ramos
Recording Supervision:
Andre Jose Yan
Screenplay:
Vincent Joseph Entuna
Sound Designer:
Vincent Joseph Entuna
Sound Effects:
Zchelmer Joash Gamboa
Wardrobe Master:
Jerwin Balay
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.