A work in constant progress (and occasional regress).
Release Date:
July 1, 1998
Original Title:
American History X
Alternate Titles:
America X
Amerikan Hisutori X
Amerikan Tarixi X
Amerikanska istoriya KH
Američka istorija X
Amerykansʹka istoriya KH
Amerykańska Historia X
América X
Mathímata Amerikanikís Istorías
Американская история Х
美国历史档案
野兽良民
Genres:
Drama
Production Companies:
New Line Cinema
Savoy Pictures
The Turman-Morrissey Company
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BR: 16 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FR: 12 GB: 18 GR: 16 HU: 18 IE: 18 IL: 18 IN: A IS: 16 IT: VM18 JP: R18+ KR: 18 NL: 16 NZ: 16 PH: R-18 PL: 16 PT: M/16 SG: R21 SK: 18 US: R
Runtime: 119
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Alan Freedman
ADR Supervisor:
Susan Shin
Additional Second Assistant Camera:
Bradley Richard
Additional Sound Re-Recording Mixer:
Kelly Vandever
Art Direction:
J. Kyler Black
Dan Olexiewicz
Assistant Camera:
William Robinson
Assistant Editor:
Kimberly Ettinger
Assistant Location Manager:
Paul Tompkins
Assistant Production Coordinator:
Karen Jarnecke
Assistant Property Master:
Parker Swanson
Assistant Sound Editor:
Robert Getty
Best Boy Electric:
James Scott
Best Boy Grip:
Tim Angelo
Boom Operator:
Tom Hartig
Camera Loader:
Sean Hunter Moe
Camera Operator:
Tony Kaye
Casting:
Valerie McCaffrey
Casting Assistant:
Joe Adams
Chef:
Chris Warren
Chief Lighting Technician:
David Jarrell
Choreographer:
Robert 'Duckie' Carpenter
Cinematography:
Tony Kaye
Co-Executive Producer:
Michael De Luca
Brian Witten
Co-Producer:
Jon Hess
David McKenna
Color Timer:
Bob McMillian
Construction Coordinator:
Curtis Baruth
Construction Foreman:
Pete Josephs
Costume Design:
Doug Hall
Costume Supervisor:
Marisa Aboitiz
Craft Service:
Brian R. Keathley
Dialogue Editor:
Bob McNabb
Walter Spencer
Jed M. Dodge
Steve Scoville
David Grant
Director:
Tony Kaye
Director of Photography:
Tony Kaye
Dolly Grip:
Mark Bolin
Driver:
Joseph Aroesti
Editor:
Gerald B. Greenberg
Alan Heim
Electrician:
Joe Crouch
Executive In Charge Of Post Production:
Joe Fineman
Executive In Charge Of Production:
Carla Fry
Executive Producer:
Bill Carraro
Kearie Peak
Steve Tisch
Lawrence Turman
Extras Casting:
Bill Dance
Extras Casting Assistant:
Terrence Harris
First Assistant Camera:
John Sekula
First Assistant Director:
Mark Cotone
First Assistant Editor:
Glenn Cocco
Foley Artist:
Diane Marshall
Ossama Khuluki
David Lee Fein
Foley Editor:
Craig Jurkiewicz
David Mann
Foley Mixer:
Mary Erstad
Gaffer:
Dale Obert
General Manager:
Leo Stefanos
Grip:
James Alden
Hairstylist:
Karyn Huston
Key Costumer:
Lisa Parmet
Key Grip:
John T. Martin
Location Manager:
Marc E. Spiegel
Location Scout:
Tim Swan
Makeup Artist:
Heather Fraker
Music Coordinator:
Karen Elliott
Music Editor:
Richard Ford
Music Supervisor:
Paul Broucek
Musician:
Marc Cancel
Orchestrator:
Gavyn Wright
Original Music Composer:
Anne Dudley
Painter:
Brandon S. Gilgen
Payroll Accountant:
Timothy P. Tundel
Pilot:
Kevin LaRosa
Post Production Coordinator:
Brandon Smith
Post Production Supervisor:
Diana Kaufman
Producer:
John Morrissey
Production Accountant:
Paul Belenardo
Production Controller:
Paul Prokop
Production Coordinator:
Wendy Cox
Production Design:
Jon Gary Steele
Production Executive:
Erik Holmberg
Natalie Trussell
Production Sound Mixer:
Steve Nelson
Production Supervisor:
Michael Mandaville
Property Master:
Lynda Reiss
Rigging Gaffer:
Curtis A. Andrews Jr.
Scenic Artist:
Sharleen Bright
Scoring Mixer:
Paul Hulme
Screenplay:
David McKenna
Script Supervisor:
Ira Hurvitz
Seamstress:
Ulker Irazat
Second Assistant Camera:
David Elmore
Second Assistant Director:
David Larson
Second Second Assistant Director:
Michael Keller
Set Decoration:
Tessa Posnansky
Set Dresser:
Franco Esile
Set Medic:
Dyanne C. Deuel
Set Production Assistant:
Matt Baird
Sound Designer:
Frederick Howard
Sound Effects Editor:
Roland N. Thai
Sound Engineer:
Roger Dudley
Sound Re-Recording Mixer:
Joe Barnett
John Ross
Yuri Reese
William Smith
Special Effects Makeup Artist:
Matthew W. Mungle
Special Effects Supervisor:
Thomas L. Bellissimo
Steadicam Operator:
Charles Papert
Still Photographer:
Peter Sorel
Stunt Coordinator:
Ernie F. Orsatti
Denney Pierce
Noon Orsatti
Paul E. Short
Stunt Double:
Courtney Pakiz
Stunts:
Charles Belardinelli
Merritt Yohnka
Eugene Collier
Jimmy Ortega
Title Designer:
Peter Menich
Transportation Captain:
Joe Cosentino
Transportation Co-Captain:
Adam Pinkstaff
Transportation Coordinator:
Geno Hart
Unit Production Manager:
Bill Carraro
Unit Publicist:
Andrew Lipschultz
Visual Effects:
Stephen Jennings
Wigmaker:
Bill Fletcher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.