A work in constant progress (and occasional regress).
Release Date:
June 4, 1957
Original Title:
The Midnight Story
Genres:
Crime | Drama
Production Companies:
Universal International Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 US: NR
Runtime: 89
Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties.
Art Direction:
Alexander Golitzen
Eric Orbom
Assistant Camera:
Ledge Haddow
Roy Vaughn
Assistant Director:
Joseph E. Kenney
Wilbur Mosier
Bernard Wiesen
Assistant Editor:
Stanley Kallis
Assistant Production Manager:
Foster Thompson
Camera Operator:
Philip H. Lathrop
Casting Assistant:
Phil Benjamin
Costume Design:
Bill Thomas
Dialogue Coach:
Leon Charles
Director:
Joseph Pevney
Director of Photography:
Russell Metty
Editor:
Ted J. Kent
Gaffer:
Max Nippell
Hairstylist:
Joan St. Oegger
Merle Reeves
Makeup Artist:
Bud Westmore
Mark Reedall
Music:
Irving Gertz
Henry Mancini
Frank Skinner
Herman Stein
Hans J. Salter
Henry Vars
Music Supervisor:
Joseph Gershenson
Producer:
Robert Arthur
Production Coordinator:
Charles Baqueta
Props:
Walter Hammond
Solly Martino
William Nunley
Screenplay:
Edwin Blum
Script Supervisor:
Adele Cannon
Set Decoration:
Russell A. Gausman
Ray Jeffers
Sound:
Henry Janssen
Still Photographer:
Jack Gereghty
Story:
Edwin Blum
Unit Production Manager:
Lew Leary
Wardrobe Coordinator:
Claire Cramer
Nevada Penn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.