A work in constant progress (and occasional regress).
Release Date:
January 31, 2020
Original Title:
The Special
Alternate Titles:
O especial
Genres:
Comedy | Horror
Production Companies:
Barrow Group
Brick Top Productions
Class of 85 LLC
Everything's Fire
Red Hound Films
York, PA Film Office
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 18 RU: 18+ US: NR
Runtime: 94
Suspecting his wife of infidelity, Jerry is persuaded by his best friend to accompany him to a brothel to sample ‘The Special’, which proves to be a lifechanging experience in more ways than one. Because every pleasure has its price...
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Assistant Camera:
Morgan Beechey
Associate Producer:
Felissa Rose
Cinematography:
Matt Nease
Digital Imaging Technician:
Dan Maher
Director:
B. Harrison Smith
Drone Operator:
Ryan Macaluso
Editor:
Doug Henderson
Matt Nease
Executive Producer:
Jonathan Ilchert
Grip:
Dan Brenkert
Myles Jackson
Key Grip:
Tyrrell Drew
Makeup Artist:
Jodi LaBar
Makeup Department Head:
Sue Toth
Makeup Effects Designer:
Roy Knyrim
Music:
John Avarese
Producer:
Doug Henderson
Alex Bafer
Production Assistant:
Peter Cote
Jessica Dentith
Script Supervisor:
Melody Baxter
Sculptor:
Marcus Koch
Set Designer:
Emily Golihew
Joshua Reale
Sound:
John Avarese
Sound Recordist:
Christian Kircher
Special Effects:
Cat Bernier
Vii Kelly
Mark Kosobucki
Special Effects Assistant:
Mike Lombardo
Special Effects Makeup Artist:
Robby Knyrim
Special Effects Supervisor:
Matt Falletta
Supervisor of Production Resources:
Cheryl Rettger Kosobucki
Technical Supervisor:
Cliff Kern
Thanks:
Jonathan Barkan
Gary Dell'Abate
Steve Brandano
Transportation Coordinator:
Sabrina Thomas
Writer:
Mark Steensland
James Newman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.