A work in constant progress (and occasional regress).
Release Date:
September 12, 2003
Original Title:
Matchstick Men
Alternate Titles:
Amigos do Alheio
Apgavikai
Førsteklasses svindlere
Il genio della truffa
Los Tramposos
Los impostores
Los tramposos
Naciagacze
Os Vigaristas
Pelimiehet
Petised
Prevaranti
Sarlatanii
Sibicari
Sleparja
Tricks
Tricks - Lügen, Betrügen, Stehlen, Immer, Wieder
Trükkös fiúk
Üç kagitçilar
Επαγγελματίες απατεώνες
Великолепная афера
Кибритлии
マッチスティック・メン:2003
火柴人
매치스틱 맨
Genres:
Comedy | Crime | Drama | Thriller
Production Companies:
ImageMovers
LivePlanet
Rickshaw Productions
Scott Free Productions
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M CH: 12 CZ: 12+ DE: 12 ES: 12 FR: 12 GB: 12A|12 GR: 13 HU: 16 IE: 15 KR: 15 PL: 16 PT: M/12 US: PG-13
Runtime: 116
A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR & Dubbing:
Chris Jargo
Anna MacKenzie
Art Department Coordinator:
Adam Khalid
Cheree Welsh
Art Direction:
Michael Manson
Assistant Art Director:
Daniel R. Jennings
Assistant Editor:
Trudy Yee
Pablo Prietto
Cybele O'Brien
Assistant Production Coordinator:
Ray Utarnachitt
Associate Editor:
Adam P. Scott
CG Supervisor:
David Alexander Smith
Camera Operator:
Mitch Dubin
Casting:
Debra Zane
Casting Assistant:
Tannis Vallely
Casting Associate:
Terri Taylor
Co-Producer:
Giannina Facio
Charles J.D. Schlissel
Construction Coordinator:
John Villarino
Costume Design:
Michael Kaplan
Costume Supervisor:
Linda Matthews
Director:
Ridley Scott
Director of Photography:
John Mathieson
Editor:
Dody Dorn
Executive In Charge Of Production:
Mark Scoon
Executive Producer:
Robert Zemeckis
First Assistant Camera:
Steven Meizler
First Assistant Director:
K.C. Hodenfield
Hair Department Head:
Mary L. Mastro
Hairstylist:
Larry Waggoner
Helicopter Camera:
Ralph Mendoza
Location Manager:
Janice Polley
Makeup Artist:
Kristina Vogel
Allen Weisinger
Amy L. Disarro
Makeup Department Head:
Tarra D. Day
Music Editor:
Marc Streitenfeld
Music Supervisor:
Dody Dorn
Novel:
Eric Garcia
Original Music Composer:
Hans Zimmer
Post Production Supervisor:
Teresa Kelly
Producer:
Sean Bailey
Ted Griffin
Jack Rapke
Ridley Scott
Steve Starkey
Producer's Assistant:
Jack Hayes
Lisa Dietrick
Production Accountant:
Margaret Mitchell
Production Assistant:
Daniel Villarreal
Jay Sheehan
Maguy R. Cohen
Tommy Bernard
Production Coordinator:
M. Michelle Nishikawa
Production Design:
Tom Foden
Production Secretary:
Scott Cler
Rigging Gaffer:
James Keys
Screenplay:
Nicholas Griffin
Ted Griffin
Second Assistant Accountant:
Cheri Jacobs
Second Assistant Director:
Jeff Okabayashi
Second Second Assistant Director:
Steve Battaglia
Set Costumer:
Lorraine Crossman
Set Decoration:
Nancy Nye
Set Medic:
Jon Ko
Set Production Assistant:
Amy Wilkins
Ryan Suffern
Jessica Rapke
Valerie Johnson
Chris Castaldi
Sound Effects Editor:
Christopher Assells
Sound Re-Recording Mixer:
Tom Lalley
Michael Minkler
Myron Nettinga
Special Effects Coordinator:
Martin Bresin
Still Photographer:
François Duhamel
Story Editor:
René Brar
Stunt Coordinator:
Eddie Yansick
Stunt Double:
Eddie Yansick
Stunt Driver:
Carrick O'Quinn
Bill Willens
Stunts:
Mickey Giacomazzi
Michael Trisler
Supervising Sound Editor:
Per Hallberg
Unit Production Manager:
Leigh Shanta
Unit Publicist:
Ernie Malik
Visual Effects Editor:
Andrea Maxwell
Visual Effects Producer:
Cari Thomas
Visual Effects Supervisor:
Sheena Duggal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.