A work in constant progress (and occasional regress).
Release Date:
October 21, 1989
Original Title:
Nashville Beat
Alternate Titles:
Der Hai aus L.A.
Genres:
Crime | Drama | TV Movie
Production Companies:
Buck Productions
Golden M Communications
NAC Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 110
A Los Angeles police officer named Mike Delaney transfers to Nashville joining his former partner. Together they battle gangs and get to know each other again. This is also a unofficial reunion film to the TV series Adam-12 which shared this TV movies two leads, Kent McCord and Martin Milner.
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Art Direction:
Mark Ragland
Kevin Pfeiffer
Best Boy Grip:
Thomas M. Barrett
Casting:
Barbara Claman
Theodore S. Hann
Mark Saks
Costume Designer:
Tara Cash
Director:
Bernard L. Kowalski
Director of Photography:
John C. Flinn III
Editor:
Albert J.J. Zúñiga
Executive Producer:
Nyhl Henson
Richard Klinger
Michael Marcovsky
First Assistant Director:
Philip Brewin Cheney
Robert Villar
Makeup & Hair:
Ali Cole
Mary Beth Felts
Music:
Mike Post
Music Editor:
Tom Gleason
Producer:
Jean Hester
Bernadette Joyce
Kent McCord
Hannah Louise Shearer
Production Manager:
Jean Hester
Richard Klinger
Prop Designer:
Jama Ball
Property Master:
Arnold Michael Weesner
Second Assistant Director:
Jodi Ehrlich
Gerald Gilman
Second Unit Director:
Jean Hester
Set Decoration:
Kathy Emily Cherry
Sound Recordist:
Jean Marie Carroll
Story:
Kent McCord
Wardrobe Designer:
Gretchen Spiess
Writer:
Hannah Louise Shearer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.