A work in constant progress (and occasional regress).
Release Date:
February 1, 2002
Original Title:
Avassaladoras
Genres:
Comedy | Romance
Production Companies:
MAMO Filmes
Total Entertainment
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 93
An attractive, 30-year-old successful graphic designer with a captivating personality hasn't had a good date in over a year, and she's not alone - her best friends share the same problem. They all dream about finding their prince charming and all too often settle for the frog. At the agency, instead of Mr. Right, Laura meets Miguel, a blue-collar, and Tiago, an irresistible, compulsive womanizer.
Art Direction:
Alexandre Meyer
Associate Producer:
Giovanna Antonelli
Reynaldo Gianecchini
Marc Bechar
Casting:
Lucinha Araújo
Cinematography:
José Tadeu Ribeiro
Costume Design:
Karla Monteiro
Digital Compositor:
Ariel Wollinger
Director:
Mara Mourão
Editor:
Ricardo Mehedff
Executive Music Producer:
Walkiria Barbosa
Executive Producer:
Ricky Ferreira
First Assistant Director:
Cris D'amato
Leadman:
Alexandre Meyer
Location Manager:
Johnny Catrolli
Makeup Artist:
Sonia Penna
Music:
André Moraes
Music Producer:
André Moraes
Musician:
Alexandre Fonseca
Gian Fabra
Dudu Trentim
Online Editor:
Ariel Wollinger
Post Production Assistant:
Karina Vanes
Producer:
Vilma Lustosa
Walkiria Barbosa
Iafa Britz
Marcos Didonet
Production Accountant:
Marcelo Guerra
Production Assistant:
Marcelo Eloy
Production Coordinator:
Carolina Romero
Production Design:
Carlos Eduardo Cae
Production Manager:
René Bittencourt
Recording Supervision:
Ariel Wollinger
Second Assistant Director:
Hsu Chien
Set Decoration:
Alexandre Meyer
Set Designer:
Carlos Eduardo Mallet
Sound:
Sílvio Da-Rin
Sound Editor:
Simone Petrillo
Maria Muricy
Carlos Cox
José Moreau Louzeiro
Sound Mixer:
Carlos Trilha
David Miranda-Hardy
Visual Effects:
Rogério Marinho
Visual Effects Supervisor:
Marcelo Siqueira
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.