A work in constant progress (and occasional regress).
Release Date:
May 18, 1993
Original Title:
The Piano
Alternate Titles:
Das Piano
El piano
Fortepian
La lección de piano
La leçon de piano
Lezioni di piano
O Piano
Piano
Pianot
Pianul
Te Piana
Μαθήματα Πιάνου
Пианино
ピアノ・レッスン
鋼琴別戀
피아노
Genres:
Drama | Romance
Production Companies:
Australian Film Commission
CiBy 2000
Jan Chapman Productions
New South Wales Film & Television Office
Production Countries:
Australia | France | New Zealand
Ratings / Certifications:
AU: MA15+ CZ: 15+ DE: 12 ES: 12 FI: K-16 FR: TP|16 GB: 15 IE: 15 KR: 18 NL: 12 PT: M/16 SE: 11 US: R
Runtime: 117
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
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Art Direction:
Gregory P. Keen
Assistant Art Director:
Jackie Gilmore
Associate Producer:
Mark Turnbull
Casting:
Alison Barrett
Susie Figgis
Victoria Thomas
Diana Rowan
Costume Design:
Janet Patterson
Director:
Jane Campion
Director of Photography:
Stuart Dryburgh
Editor:
Veronika Jenet
Executive Producer:
Alain Depardieu
First Assistant Director:
Chris Short
Mark Turnbull
Makeup & Hair:
Noriko Watanabe
Francia Smeets
Makeup Artist:
Katherine James
Marjory Hamlin
Original Music Composer:
Michael Nyman
Producer:
Jan Chapman
Production Design:
Andrew McAlpine
Screenplay:
Jane Campion
Second Assistant Director:
Victoria Hardy
Second Unit Director:
Colin Englert
Set Decoration:
Meryl Cronin
Sound Designer:
Lee Smith
Sound Mixer:
Gethin Creagh
Special Effects Coordinator:
Ken Durey
Waynne Rugg
Stunt Coordinator:
Robert Bruce
Stunt Double:
Georgina Gilbert
Sue Easdon
Stunts:
Steve Griffin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.