A work in constant progress (and occasional regress).
Release Date:
March 23, 2023
Original Title:
Broken Keys
Alternate Titles:
Fausse note
Le dernier piano
Music Peace
戰地孤聲
破碎的琴鍵
Genres:
Drama | War
Production Companies:
Ezekiel Film Production
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 HK: IIA RO: 18 US: NR
Runtime: 106
In a war-torn Middle Eastern city where music has been banned by Islamic extremists, Karim, a brilliant musician, struggles to rebuild his destroyed piano while trying to escape to Europe.
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Additional Dialogue:
Moe Lattouf
Additional Writing:
Ellie Foumbi
Art Direction:
Hanady Medlej
Associate Producer:
Frédéric Domont
Valentin Domont
Tarek Sikias
Boom Operator:
Rabih El Ahmar
Casting Coordinator:
Sabine Ghanem
Cynthia Abdelsater
Colorist:
Serge Anthony
Costume Designer:
Lara Mae Khamis
Dialogue Editor:
Benjamin Alves
Director:
Jimmy Keyrouz
Director of Photography:
Joe Saade
Editor:
Yves Beloniak
Maria Malek
First Assistant Director:
Wael Dib
Foley Artist:
Christophe Bourreau
Yvan Marizy
Gaffer:
Danny Challita
Graphic Designer:
Josh Kappraff
Hairdresser:
Nader Sidani
Key Grip:
Melik Khazzoum
Line Producer:
Abla Khoury
Lara Karam Chekerdjian
Main Title Designer:
Josh Kappraff
Alex Kirzhner
Makeup Artist:
Roula Zahar
Musician:
Elio Kallassi
Original Music Composer:
Gabriel Yared
Post Production Coordinator:
Cédric Ettouati
Post Production Supervisor:
Justine Bernal
Producer:
Antoun Sehnaoui
Mala Najm
Production Coordinator:
Terry Chalouhi
Production Design:
Issa Kandil
Production Manager:
Nagham Abboud
Elie Deek
Mala Najm
Property Master:
Joe Yucef
Screenplay:
Jimmy Keyrouz
Script Supervisor:
Najwa Harb
Second Assistant Director:
Sahar Moussallem
Sound Editor:
Olivier Walzack
Chadi Roukoz
Vincent Hazard
Sound Engineer:
Chadi Roukoz
Sound Re-Recording Mixer:
Julien Perez
Still Photographer:
Rudy Bou Chebel
Stunt Double:
Elio Kallassi
Third Assistant Director:
Rania Salame
Visual Effects Supervisor:
Guillaume Nadaux
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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