A work in constant progress (and occasional regress).
Release Date:
May 30, 2012
Original Title:
Prometheus
Alternate Titles:
Alien 5 - Prometheus Dunkle Zeichen
Alien: Prometheus
Hành Trình Đến Hành Tinh Chết
Paradise
Prometeo
Prometeusz
Prometheus 3D
הנוסע השמיני: פרומתיאוס
异形:普罗米修斯
普羅米修斯
異形
異形:普羅米修斯
프로메테우스
프로메테우스-확장
Genres:
Adventure | Mystery | Science Fiction
Production Companies:
20th Century Fox
Brandywine Productions
Dune Entertainment
Scott Free Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BG: D BR: 14 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 16 GB: 15 GR: Κ-15 HU: 16 IE: 15A IT: VM14 KR: 18 MX: B-15 NL: 16 NO: 18 PL: 16 PT: M/16 RO: 18 SE: 15 SK: 15 US: R
Runtime: 124
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
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ADR Recordist:
Glen Gathard
Animation Supervisor:
Ferran Domenech
Art Department Assistant:
Archie Campbell-Baldwin
Rebecca White
Art Department Coordinator:
Sarah Griggs
Art Direction:
H. R. Giger
Alex Cameron
Anthony Caron-Delion
Peter Dorme
Marc Homes
Paul Inglis
Karen Wakefield
Assistant Art Director:
Philip Elton
Tom Whitehead
Tom Weaving
Helen Xenopoulos
Claudio Campana
Best Boy Electric:
David Sinfield
CG Supervisor:
Phillip Leonhardt
Camera Operator:
Graham Hall
Daniele Massaccesi
David Morgan
Gary Spratling
Casting:
Nina Gold
Avy Kaufman
Characters:
Dan O'Bannon
Ronald Shusett
Compositors:
Michael Queen
Concept Artist:
Neville Page
Conceptual Design:
David Vyle Levy
Construction Coordinator:
Laura Davison
Costume Assistant:
Maggie Partington-Smith
Angela Pledge
Costume Design:
Janty Yates
Costume Supervisor:
Gordon Harmer
Data Wrangler:
Stephen Smart
Dialect Coach:
Catherine Charlton
Dialogue Editor:
Margit Pfeiffer
Michael Hertlein
Julie Feiner
Digital Compositor:
Julian Bryant
Director:
Ridley Scott
Director of Photography:
Dariusz Wolski
Editor:
Pietro Scalia
Electrician:
Mark 'Rocky' Evans
Jim Smart
Executive Producer:
Michael Costigan
Mark Huffam
Michael Ellenberg
Damon Lindelof
First Assistant Director:
Max Keene
Foley:
John T. Cucci
Dan O'Connell
Foley Editor:
Glenn T. Morgan
Gaffer:
Perry Evans
Hair Designer:
Nana Fischer
Enzo Angileri
Hairstylist:
Nicky Knowles
Peta Dunstall
Layout:
Carolina Jiménez
Location Manager:
Steve Hart
Makeup Artist:
Jana Carboni
Aisling Nairn
Music Editor:
Joseph Bonn
Del Spiva
Kirsty Whalley
Original Music Composer:
Marc Streitenfeld
Producer:
Ridley Scott
Walter Hill
David Giler
Production Coordinator:
Miranda Marks
Production Design:
Arthur Max
Production Illustrator:
Julian Caldow
Production Sound Mixer:
Simon Hayes
Prosthetics:
Davide Losi
Rigging Supervisor:
Simon Dutton
Scenic Artist:
James Newell
Script Coordinator:
Amal Baggar
Script Supervisor:
Annie Penn
Sculptor:
Glenn Marsh
Set Costumer:
Calandra Meredith
Georgiana Sayer
Bruno de Santa
Set Decoration:
Sonja Klaus
Sound Re-Recording Mixer:
Doug Hemphill
Ron Bartlett
Sound Recordist:
Tim Gomillion
Dennis Rogers
Steadicam Operator:
Daniele Massaccesi
Still Photographer:
Kerry Brown
Stunt Coordinator:
Rob Inch
Stunts:
Mike Potter
Rowley Irlam
Supervising Art Director:
John King
Supervising Dialogue Editor:
Daniel S. Irwin
Supervising Sound Editor:
Victor Ray Ennis
Mark P. Stoeckinger
Transportation Coordinator:
Peter Devlin
Visual Effects:
Maher Asaad Baker
Visual Effects Designer:
Paul Butterworth
Visual Effects Producer:
Annette Wullems
Allen Maris
Michelle Eisenreich
Visual Effects Supervisor:
Trent Claus
Jamie Dixon
Dick Edwards
Martin Hill
Richard Stammers
Trevor Wood
Charley Henley
Lisa Gonzalez
Writer:
Jon Spaihts
Damon Lindelof
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.